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Death in Holy Orders: An Adam Dalgliesh Mystery
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Death in Holy Orders: An Adam Dalgliesh Mystery Mass market paperbound - 2002

by P. D. James


Summary

The setting itself is elemental P. D. James: the bleak coast of East Anglia, where atop a sweep of low cliffs stands the small theological college of St. Anselm's. On the shore not far away, smothered beneath a fall of sand, lies the body of one of the school's young ordinands. He is the son of Sir Alred Treves, a hugely successful and flamboyant businessman who is accustomed to getting what he wants--and in this case what he wants is Commander Adam Dalgliesh to investigate his son's death. Although there seems to be little to investigate, Dalgliesh agrees, largely out of nostal-gia for several happy summers he spent at St. Anselm's as a boy. No sooner does he arrive, however, than the college is torn apart by a sacrilegious and horrifying murder, and Dalgliesh finds himself ineluctably drawn into the labyrinth of an intricate and violent mystery. Here P. D. James once more demonstrates her unrivalled skill in building a classic detective story into a fully realized novel, gripping as much for its psychological and emotional richness as for the originality and complexity of its plotting--and, of course, for the horror and suspense at its heart. Filled with unforgettable characters, brilliant in its evocation of the East Anglian scene and the religious background against which the action takes place, Death in Holy Orders again offers proof, if proof were needed, that P. D. James is not only the reigning master of the crime novel but also, simply, one of the finest novelists writing today.From the Hardcover edition.

From the publisher

P. D. James is the author of sixteen previous books, most of which have been filmed for television. Before her retirement in 1979, she served in the forensics and criminal justice departments of Great Britain’s Home Office and she has been a magistrate and a governor of the BBC. The recipient of many prizes and honors, she was created Baroness James of Holland Park in 1991. In 2000 she celebrated her eightieth birthday and published her autobiography, Time to Be in Earnest.

Details

  • Title Death in Holy Orders: An Adam Dalgliesh Mystery
  • Author P. D. James
  • Binding Mass Market Paperbound
  • Edition Reprint
  • Pages 429
  • Volumes 1
  • Language ENG
  • Publisher Fawcett Books, New York
  • Date 2002-03-26
  • ISBN 9780345446664 / 0345446666
  • Weight 0.47 lbs (0.21 kg)
  • Dimensions 6.93 x 4.2 x 1.28 in (17.60 x 10.67 x 3.25 cm)
  • Library of Congress subjects Mystery fiction, Dalgliesh, Adam (Fictitious character)
  • Library of Congress Catalog Number 2004597039
  • Dewey Decimal Code FIC

Excerpt

It was Father Martin's idea that I should write an account of how I found the body.

I asked, "You mean, as if I were writing a letter, telling it to a friend?"

Father Martin said, "Writing it down as if it were Action, as if you were standing outside yourself, watching it happen, remembering what you did, what you felt, as if it were all happening to someone else."

I knew what he meant, but I wasn't sure I knew where to begin. I said, "Everything that happened, Father, or just that walk along the beach, uncovering Ronald's body?"

"Anything and everything you want to say. Write about the college and about your life here if you like. I think you might find it helpful."

"Did you find it helpful, Father?"

I don't know why I spoke these words, they just came into my mind and I let them out. It was silly really, and in a way it was impertinent, but he didn't seem to mind.

After a pause he said, "No, it didn't really help me, but then, it was all a very long time ago. I think it might be different for you."

I suppose he was thinking about the war and being taken prisoner by the Japanese, the awful events that happened in the camp. He never speaks about the war, but then, why should he do so to me? But I don't think he speaks to anyone, not even to the other priests.

This conversation happened two days ago, when we were walking together through the cloisters after Evensong. I don't go to Mass any more, not since Charlie died, but I do go to Evensong. It's a matter of courtesy really. It doesn't seem right working at the college, taking money from them, accepting all their kindness and never attending any of the services in the church. But perhaps I'm being too sensitive. Mr. Gregory lives in one of the cottages, as I do, and teaches Greek part-time, but he never attends church except when there is music he wants to hear. No one ever presses me to attend, they never even asked why I stopped coming to Mass. But of course they noticed; they notice everything.

When I got back to my cottage I thought about what Father Martin had said and whether perhaps it might not be a good idea. I've never had any difficulty about writing. At school I was good at composition and Miss Allison, who taught us English, said she thought I might have the talent to be a writer. But I knew that she was wrong. I haven't any imagination, not the kind novelists need. I can't make things up. I can only write about what I see and do and know--and sometimes what I feel, which isn't as easy. Anyway, I always wanted to be a nurse, even from childhood. I'm sixty-four and retired now, but I still keep my hand in here at St. Anselm's. I'm partly the Matron, dealing with minor illnesses, and I also look after the linen. It's an easy job but I've got a weak heart and I'm lucky to be working. The college makes it as easy as possible for me. They've even provided a lightweight trolley so that I'm not tempted to carry heavy bundles of linen. I ought to have said all this before. And I haven't even written down my name. It's Munroe, Margaret Munroe.

I think I know why Father Martin suggested it would be helpful if I began writing again. He knows that I used to write a long letter to Charlie every week. I think he's the only person here except Ruby Pilbeam who does know that. Every week I'd sit down and remember what had happened since the last letter, the small unimportant things which wouldn't be unimportant to Charlie: the meals I ate, the jokes I heard, stories about the students, descriptions of the weather. You wouldn't think there would be much to tell in a quiet place like this on the edge of the cliffs, remote from anywhere, but it was surprising what I found to write to him. And I know Charlie loved the letters. "Keep on writing, Mum," he would say when he was home on leave. And I did.

After he was killed, the Army sent me back all his belongings and there was the bundle of letters among them. Not every one I'd written, he couldn't have kept them all, but he did keep some of the longest. I took them onto the headland and made a bonfire. It was a windy day, as it often is on the East Coast, and the flames roared and spat and changed direction with the wind. The charred pieces of paper rose and whirled about my face like black moths and the smoke stung my nose. It was odd, because it was only a little fire. But what I'm trying to say is that I know why Father Martin suggested I should write this account. He thought that writing something--anything--might help to bring me back to life. He's a good man, perhaps he's even a holy man, but there's so much he doesn't understand.

It seems strange to be writing this account without knowing who, if anyone, will ever see it. And I'm not sure whether I'm writing for myself or for some imaginary reader to whom everything about St. Inseam's will be new and strange. So perhaps I ought to write something about the college, to set the scene, as it were. It was founded in 1861 by a pious lady called Miss Agnes Arbuthnot, who wanted to ensure that there would always be "devout and learned young men ordained to the Catholic priesthood in the Church of England." I've put in the inverted commas because those are her words. There's a booklet about her in the church and that's how I know. She gave the buildings, the land and nearly all her furniture, and enough money--so she thought--to keep the college going for ever. But there never is enough money, and now St. Anselm's has to be mainly financed by the Church. I know that Father Sebastian and Father Martin are afraid that the Church is planning to close it down. This fear is never openly discussed, and certainly not with the staff, though we all know. In a small and isolated community like St. Anselm's, news and gossip seem to be carried, unspoken, on the wind.

Apart from giving the house, Miss Arbuthnot built the north and south cloisters at the back to provide rooms for the students, and a set of guest-rooms linking the south cloister to the church. She also built four cottages for staff, arranged in a semicircle on the headland about a hundred yards from the college. She named them after the four evangelists. I am in St. Matthew, the most southerly. Ruby Pilbeam, who is the cook-housekeeper, and her husband, the general handyman, are in St. Mark. Mr. Gregory is in St. Luke, and in the northern cottage, St. John, is Eric Surtees, who helps Mr. Pilbeam. Eric keeps pigs, but more as a hobby than to provide pork for the college. There are just the four of us, with part-time cleaning women from Reydon and Lowestoft to help out, but there are never more than twenty ordinances and four resident priests, and we manage. None of us would be easy to replace. This windswept desolate headland with no village, no pub, no shop, is too remote for most people. I like it here but even I can find it frightening and a little sinister. The sea is eating away the sandy cliffs year by year, and sometimes I stand on the edge looking out to sea and can imagine a great tidal wave rearing up, white and glistening, racing towards the shore to crash over the turrets and towers, the church and the cottages, and wash us all away. The old village of Ballard's Mere has been under the sea for centuries, and sometimes on windy nights folks say it's possible to hear the faint ringing of church bells from the buried towers. And what the sea didn't take was destroyed in a great fire in 1695. Nothing of the old village now remains except the medieval church, which Miss Arbuthnot restored and made part of the college, and the two crumbling red brick pillars fronting the house, which are all that are left of the Elizabethan manor house that stood on the site.

I'd better try to explain something about Ronald Treeves, the boy who died. After all, his death is what this is supposed to be about. Before the inquest the police questioned me, asking how well I had known him. I suppose I knew him better than most of the staff here, but I didn't say much. There wasn't much I could tell. I didn't think it was my place to gossip about the students. I knew that he wasn't popular but I didn't tell them that. The trouble was that he didn't really fit in, and I think he knew that he didn't. For one thing, his father was Sir Alred Treeves, who runs an important armaments company, and Ronald liked us to know that he was the son of a very rich man. The things he owned showed it too. He had a Porsche while the other students make do with cheaper cars--if they have a car at all. And he talked about his holidays in expensive and remote places that other students wouldn't be able to travel to, at least not in vacations.

All that might have gained him popularity in some colleges, but not here. Everyone is snobbish about something, don't let them tell you differently, but here it isn't about money. It isn't really about family either, although you'd do better as the son of a curate than you would as the son of a pop star. I suppose what they really care about is cleverness--cleverness and good looks and wit. They like people who can make them laugh. Ronald wasn't as clever as he thought he was and he never made anyone laugh. They thought he was dull, and of course when he realized that, he became duller. I didn't say any of this to the police. What would have been the point? He was dead. Oh, and I think he was a bit of a snooper too, always wanting to know what was going on, asking questions. He didn't get much out of me. But some evenings he would turn up at the cottage and sit and talk while I knitted and listened. The students are discouraged from visiting the staff cottages except by invitation. Father Sebastian likes us to have our privacy. But I didn't mind him really. Looking back on it, I think he was lonely. Well, he wouldn't have bothered with me otherwise. And I remembered my Charlie. Charlie wasn't dull or unpopular or boring, but I like to think that if he'd ever been lonely and wanted to sit quietly and talk, there would have been someone like me to give him a welcome.

When the police arrived they asked me why I had gone looking for him on the beach. But, of course, I hadn't. About twice a week I take a solitary walk after I've had lunch, and when I set out I didn't even realize that Ronald was missing. And I wouldn't have started looking on the beach. It's difficult to think what could happen to anyone on a deserted shore. It's safe enough if you don't clamber over the groynes or walk too close to the cliffs, and there are notices about the dangers of both. All the students are warned when they first arrive about the risk of swimming alone or walking too close to the unstable cliffs.

In Miss Arbuthnot's time it was possible to get down to the beach from the house, but the encroaching sea has changed all that. Now we have to walk about a half-mile south of the college to the only place where the cliffs are low and firm enough to support some half-dozen rickety wooden steps with a handrail. Beyond this point is the darkness of Ballard's Mere, surrounded by trees and separated from the sea only by a narrow bank of shingle. Sometimes I walk as far as the mere and then turn back, but that day I went down the steps to the beach and started walking northward.

After a night of rain it was a fresh, lively day, the sky blue with scudding clouds, the tide running high. I rounded a slight promontory and saw the deserted beach stretching out before me with its narrow ridges of shingle and the dark lines of the old weed-encrusted groynes crumbling into the sea. And then, about thirty yards ahead, I saw what looked like a black bundle lying at the foot of the cliff. I hurried up to it and found a cassock, neatly folded, and beside it a brown cloak, also carefully folded. Within a few feet the cliff had slithered and tumbled and now lay in great clumps of compacted sand, tufts of grass, and stones. I knew at once what must have happened. I think I gave a little cry, and then I began scraping away at the sand. I knew a body must be buried underneath it, but it wasn't possible to know where. I remember the gritty sand under my nails and how slow progress seemed, so that I began kicking the sand as if in anger, spraying it high so that it stung my face and got into my eyes. Then I noticed a sharp-edged spar of wood about thirty yards towards the sea. I fetched it and used it to start probing. After a few minutes it struck something soft and I knelt and began working again with my hands. Then I saw that what it had struck were two sand-encrusted buttocks, covered in fawn corduroy.

After that I couldn't go on. My heart was pounding and I had no more strength. I felt, obscurely, that I had humiliated whoever lay there, that there was something ridiculous and almost indecent about the two exposed mounds. I knew that he must be dead and that all my feverish haste hadn't really been important. I couldn't have saved him and now I couldn't bear to go on alone, uncovering him inch by inch, even if I'd had the strength. I had to get help, to break the news of what had happened. I think I knew even then whose body it was, but suddenly I remembered that all the ordinands' brown cloaks have name tabs. I turned back the collar of the cloak and read the name.

I remember stumbling down the beach on the firm edge of sand between the banks of pebbles and somehow dragging myself up the steps to the top of the cliff. I began running along the cliff road to the college. It was only a half-mile but the road seemed endless and the house seemed to recede with every painful step. My heart was beginning to pound and my legs felt as if the bones were dissolving. And then I heard a car. Looking back, I saw it turning from the access road and coming towards me along the rough track bordering the cliff edge. I stood in the middle of the track and waved my arms and the car slowed. I saw that it was Mr. Gregory.

Media reviews

“P. D. James in top form . . . Murder at its very best.”
The Boston Globe

"Death in Holy Orders
is among her most remarkable and accomplished Dalgliesh novels.”
The Philadelphia Inquirer

“An elegant work about hope, death, and the alternately redemptive and destructive nature of love.”
Miami Herald

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