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Goddess of Yesterday
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Goddess of Yesterday Paperback - 2009

by Caroline B. Cooney


From the publisher

Caroline B. Cooney is the author of The Face on the Milk Carton (an IRA–CBC Children’s Choice) and its companions Whatever Happened to Janie? (an ALA Best Book for Young Adults), The Voice on the Radio (an American Bookseller Pick of the Lists), and What Janie Found. Her other novels include The Ransom of Mercy Carter, What Child Is This?, Burning Up, and Drivers Ed.


From the Hardcover edition.

Details

  • Title Goddess of Yesterday
  • Author Caroline B. Cooney
  • Binding Paperback
  • Edition Reprint
  • Pages 272
  • Volumes 1
  • Language ENG
  • Publisher Rh Childrens Books
  • Date 2009-05-12
  • Features Maps, Price on Product - Canadian
  • ISBN 9780385738651 / 038573865X
  • Weight 0.55 lbs (0.25 kg)
  • Dimensions 7.9 x 5.2 x 0.7 in (20.07 x 13.21 x 1.78 cm)
  • Ages 12 to UP years
  • Grade levels 7 - UP
  • Reading level 730
  • Themes
    • Chronological Period: Ancient (To 499 A.D.)
    • Catalog Heading: Language Arts/Literature
    • Curriculum Strand: Language Arts/Literature
  • Library of Congress subjects Trojan War, Courage
  • Dewey Decimal Code FIC

Excerpt

I

I was six years old when King Nicander came to the island of my birth, demanding tribute and a hostage.

I did not know what a hostage was, nor tribute.

The king was taller than Father. His oiled beard jutted from his chin like a spear point. His arms were hard and tanned, his eyes twinkling. I liked him right away. "So you are Alexandra," said Nicander.

I corrected a king. "Not Alexandra. Anaxandra."

His eyes crinkled at the corners when he smiled. "Anaxandra, you are coming for a sail with me. You will be companion to my daughter, Callisto."

A sail? I was so excited I hardly bothered to kiss my parents goodbye. My brothers got to go to sea and have adventure, but I always had to stay home with Mother. And I had never met a princess. Callisto means "the fairest," just the right name for a princess, the way Anaxandra was just the right name for me. Mother packed some clothes and my fleeces and put my doll in a box, which I hugged to my chest. I had never owned a box, and Mother kept jewelry in this one. It was heavy, which meant she had left some jewels in it. I would have a guest-gift for the princess.

An officer sat me on his shoulders and off we went. I never looked back at my brothers, standing in a row, silent and envious, and I never waved to my parents.

Our village was perched a thousand feet above the sea. The path to the harbor tilted steeply. I clung to the officer's neck so I wouldn't fall off. "What's your name?" I asked.

He peeled my fingers from his throat so he could breathe. "Lykos."

This means "wolf," which made me think of my puppy. I had named her Seaweed, because when she romped in the water, she came out hung with green fronds. I almost told Lykos we had to go back and get Seaweed, but I remembered that I would be home by bedtime to tell Seaweed all about it.

The sailor carrying my clothes and fleece said to Lykos, "Why didn't the king take sons for hostages? A little girl isn't going to make Chrysaor double his tribute."

Chrysaor was my father's name; it had the word for gold in it. My mother's name was Iris, which means "rainbow."

The king caught up to us. He tugged on my long curls and told me I had hair as red as King Menelaus. I had never heard of King Menelaus.

"A girl as hostage?" said Lykos to the king.

"Chrysaor needs his sons to pirate with him," said the king of Siphnos, "but his daughter he loves. He'll obey me for her sake."

The donkey path was slippery with pebbles and sand. The men struggled for balance and swore at my father for not chiseling steps into the stone.

Steps would make it too easy for pirates. Father knew because he was one. He loved to tell about the towns he had sacked and burned. We had many slave women he had brought back. The men he couldn't keep, because they knew how to use weapons and were too dangerous.

All around the island the sea sparkled. We wound down the bare bones of cliffs to the harbor, where there were so many ships, I could not assign a finger to all of them.

I used up ten fingers counting ships, tucked my elbow into my side to keep the first ten safe, used my fingers over again, and had to tuck in my other elbow. All together there were ten ships, ten ships, and eight more ships, long and slim with black hulls and red sails. Each sail was stitched with a white octopus, its long legs tied in knots.

"You have enough ships to take Troy, don't you?" I said to the king. My father sailed past Troy every year. He admired Troy but hated her more.

"Troy," repeated Nicander, and he and his men looked east, where Troy lies, far far away.

Troy is built on a citadel above a strange rough river that runs uphill into a second sea. Beyond the second sea are endless supplies of slaves and grain, gold and amber. The river is the Hellespont and only with a very strong wind can a ship go up it. If there is no wind, a ship waits in the harbor of Troy. On the return voyage, when the ship's hold is full, Troy takes her share. She is the richest city on earth.

"No," said Nicander. "I could not take Troy."

We waded out to the ships. Seaweed and I played here. The stones were flat and good for skipping. "Is Callisto on the ship," I asked the king, "or is she at your house?"

"Callisto is at my house," said the king, "although my house is called a palace. She isn't very well, Anaxandra. She can't run and jump the way you can. You will sit quietly with her and spin."

What kind of adventure would that be?

A man as hairy as a goat leaned over the edge of the king's ship to lift me on board. He laughed at the idea of a girl hostage when there were boys to take, and he tossed me high into the air. My father threw me around all the time and I loved it. But when the goat-haired man caught me, I saw he had expected me to be afraid. "I am never afraid," I said severely. "I can do anything. I can swim underwater and my brothers can't do that. I can even swim into Father's caves."

The king was still waist-deep in the water, his men cupping hands to give him a leg up. "Can you now?" said the king. "And what caves are those, Anaxandra?"

"Where Father keeps the real treasure," I said.

It took Nicander's men all afternoon to get my father's treasure out of the caves and loaded into the ships. How they laughed, congratulating Nicander on his wisdom--taking a silly girl as hostage instead of an intelligent boy: a girl who had just sold out her own father.

The king's ship was hollow inside, the deck planks removed to reveal the hold. In went piles of spears and bee-waisted shields, ingots of bronze and a silver sword pommel, a gold mask and ivory combs.

I sat on a coil of rope. It was damp and salty, the color and texture of an old woman's hair. Waves lapped against the ship like dogs drinking from a puddle. What would Father say to me when I got back tonight?

At last, Lykos bellowed, "Deck the ships!" The slamming of timber was heard on all sides as the cargo was covered by the deck beams. The masts were lifted and placed in their supports and the anchor stones raised.

Nicander flung wine into the sea. "Earth Shaker!" he shouted to the god. "Give us a safe return home!"

The wooden ships groaned and creaked. Bright banners slapped in the wind. There was no need for rowing with the wind so fine and the men relaxed on their benches.

I had not known that when you sailed away from your island, it got smaller. I had not known it would vanish. I kept my eyes fastened to the place where my island had been.

The sun was going down. The sea turned molten gold and the sky purple.

"It's bedtime," I said to the king. "I can't play with Callisto after all. We have to sail back home now."

"You're not going home, Anaxandra," said the king. "Not tonight or any night. Siphnos will be your home."


From the Hardcover edition.

Media reviews

“A compulsively readable story.”—Publishers Weekly, Starred

“Teen readers will be mesmerized.”—Kirkus Reviews, Starred


From the Hardcover edition.

About the author

Caroline B. Cooney is the author of The Face on the Milk Carton (an IRA-CBC Children's Choice) and its companions Whatever Happened to Janie? (an ALA Best Book for Young Adults), The Voice on the Radio (an American Bookseller Pick of the Lists), and What Janie Found. Her other novels include The Ransom of Mercy Carter, What Child Is This?, Burning Up, and Drivers Ed.
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