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Let the Dead Lie: An Emmanuel Cooper Mystery
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Let the Dead Lie: An Emmanuel Cooper Mystery Paperback - 2010

by Malla Nunn

Australian filmmaker Nunn's follow-up to her classic murder mystery "A Beautiful Place to Die" once again features the intrepid sleuth, Detective Sergeant Emmanuel Cooper.


Summary

The second in a crime series set in 1950's South Africa when apartheid laws were first introduced.

Details

  • Title Let the Dead Lie: An Emmanuel Cooper Mystery
  • Author Malla Nunn
  • Binding Paperback
  • Edition Original
  • Pages 400
  • Volumes 1
  • Language ENG
  • Publisher Atria Books, U.S.A.
  • Date 2010-04-20
  • Features Price on Product - Canadian
  • ISBN 9781416586227 / 1416586229
  • Weight 0.69 lbs (0.31 kg)
  • Dimensions 8.22 x 5.46 x 1.11 in (20.88 x 13.87 x 2.82 cm)
  • Library of Congress subjects Mystery fiction, South Africa
  • Dewey Decimal Code FIC

Excerpt

1

DURBAN, SOUTH AFRICA, MAY 28, 1953

THE ENTRANCE TO the freight yards was a dark mouth crowded with rows of dirty boxcars and threads of silver track. A few white prostitutes orbited a weak streetlight. Indian and coloured working girls were tucked into the shadows, away from the passing trade and the police.

Emmanuel Cooper crossed Point Road and moved toward the yards. The prostitutes stared at him, and the boldest of them, a fat redhead with a molting fox fur slung around her shoulders, lifted a skirt to expose a thigh encased in black fishnet.

âÈêSweetheart,âÈë she bellowed. âÈêAre you buying or just window-shopping?âÈë

Emmanuel slipped into the industrial maze. Did he look that desperate? Brine and coal dust blew off Durban Harbor and the lights of a docked cruise ship shone across the water. Stationary gantry cranes loomed over the avenue of boxcars and a bright half-moon lit the rocky ground. He moved to the center of the yards, tracing a now familiar path. He was tired, and not from the late hour. Trawling the docks after midnight was worse than being a foot policeman. They at least had a clearly defined mission: to enforce the law. His job was to witness a mind-numbing parade of petty violence, prostitution and thievery and do nothing.

He scrambled over a heavy coupling and settled into a space between two wagons. Soon, an ant trail of trucks would roll out of the yard, packed to the limit with whiskey and cut tobacco and boxes of eau de cologne. English, Afrikaner, foot police, detectives and railway police: the smuggling operation was a perfect example of how different branches of the force were able to cooperate and coordinate if they shared a common goal.

He flicked the surveillance notebook open. Four columns filled the faintly ruled paper: names, times, license plate numbers and descriptions of stolen goods. Until these cold nights in the freight yard heâÈçd thought the wait for the Normandy landing was the pinnacle of boredom. The restlessness and the fear of the massed army, the bland food and the stink of the latrines: heâÈçd weathered it all without complaint. The discomforts werenâÈçt so different from what heâÈçd experienced in the tin and concrete slum shacks his family had lived in on the outskirts of JoâÈçburg.

This surveillance of corrupt policemen lacked the moral certainty of D-day. What Major van Niekerk, his old boss from the Marshall Square Detective Branch, planned to do with the information in the notebook was unclear.

âÈêJesus. Oh, Jesus âÈöâÈë A groaned exhalation floated across the freight yards, faint on the breeze. Some of the cheaper sugar girls made use of the deserted boxcars come nightfall.

âÈêOh âÈö no âÈöâÈë This time the male voice was loud and panicked.

The skin on EmmanuelâÈçs neck prickled. The urge to investigate reared up, but he resisted. His job was to watch and record the activities of the smuggling ring, not rescue a drunken whaler lost in the freight yard. Do not get involved. Major van Niekerk had been very specific about that.

The faint hum of traffic along Point Road mingled with a wordless sobbing. Instinct pulled Emmanuel to the sound. He hesitated and then shoved the notepad into a pants pocket. Ten minutes to take a look and then heâÈçd be back to record the truck license plate numbers. Twenty minutes at the outside. He pulled a silver torch from a pocket, switched it on and ran toward the warehouses built along the northeast boundary of the freight terminus.

The sobs faded and then became muffled. Possibly the result of a hand held over a mouth. Emmanuel stopped and tried to isolate the sound. The yards were huge, with miles of track running the length of the working harbor. Loose gravel moved underfoot and a cry came from ahead. Emmanuel turned the torch to high beam and picked up the pace. The world appeared in flashes. Ghostly rows of stationary freight cars, chains, redbrick walls covered in grime and a back lane littered with empty hessian sacks. Then a dark river of blood that formed a question mark in the dirt.

âÈêNo âÈöâÈë

Emmanuel swung the torch beam in the direction of the voice and caught two Indian men in the full glare of the light. Both were young, with dark, slicked-back hair that touched their shoulders. They wore white silk shirts and nearly identical suits made from silvery sharkskin material. One, a slim teenager with a tear-streaked face, was slumped against the back wall of the warehouse. The other, somewhere in his early twenties, sported an Errol Flynn mustache and a heavy brow contracted with menace. He hunched over the boy, with his hand over his mouth to keep him quiet.

âÈêDo not move.âÈë Emmanuel used his detective sergeantâÈçs voice. He reached for his .38 standard Webley revolver and touched an empty spaceâÈ'like a war veteran fumbling for a phantom limb. The most dangerous weapon he had was a pen. No matter. The gun was backup.

âÈêRun!âÈë the older one screamed. âÈêGo!âÈë

The men ran in different directions and Emmanuel targeted the smaller of the two, who stumbled and pitched toward the ground. Emmanuel caught a sleeve and steadied the teenager against the wall.

âÈêRun again and IâÈçll break your arm,âÈë he said. A coupling clanked. The older one was still out there somewhere. Emmanuel rested shoulder to shoulder with the boy and waited.

âÈêParthiv.âÈë The boy sniffled. âÈêDonâÈçt leave me.âÈë

âÈêAmal,âÈë a voice called back. âÈêWhere are you?âÈë

âÈêHere. He got me.âÈë

âÈêWhat?âÈë

âÈêIâÈçve got Amal,âÈë Emmanuel said. âÈêYouâÈçd better come out and keep him company.âÈë

The man emerged from the dark with a gangster swagger. A gold necklace complemented his silvery suit, and a filigree ring topped with a chunk of purple topaz weighed down his index finger.

âÈêAnd just who the hell are you?âÈë the skollie demanded.

Emmanuel relaxed. HeâÈçd put down thugs like this one on a daily basis back in JoâÈçburg. Back before the trouble in JacobâÈçs Rest.

âÈêIâÈçm Detective Sergeant Emmanuel Cooper,âÈë he said.

With the National Party now in control, the police had become the most powerful gang in South Africa. The air went out of the IndianâÈçs hard-man act.

âÈêNames,âÈë Emmanuel said when the men were against the wall. HeâÈçd deal with the fact that he had no authority and no jurisdiction later.

âÈêDr. Jekyll and Mr. Hyde,âÈë the Indian Errol Flynn said. He looked tough and he talked tough but something about the flashy suit and the jewelry made him look a little âÈö soft.

âÈêNames,âÈë Emmanuel repeated.

âÈêAmal,âÈë the youngster said quickly. âÈêMy name is Amal Dutta and thatâÈçs my brother, Parthiv Dutta.âÈë

âÈêStay put,âÈë Emmanuel instructed, and dipped the torchlight toward the ground. A bottle of lemonade lay on its side near the pool of blood. Then, in the shadows, Emmanuel made out the curled fingers of a childâÈçs hand. They seemed almost to motion him closer. A white boy lay in the dirt, arms outstretched, skinny legs tangled together. His throat was sliced open from ear to ear like a second mouth.

Emmanuel recognized the victim: an English slum kid, around eleven years old, who picked a living among the boxcars and the whores. Jolly Marks. Who knew if that was his real name?

Starting at the tattered canvas shoes, Emmanuel searched upward over the body. Army-issue fatigues were rolled up at the cuffs and threadbare at the knees. A line of string was tied to the belt loop of the khaki pants and a smear of blood stained the waistband. Streaks of dirt fanned out across the boyâÈçs gray shirt and gathered in the creases around his mouth. The search revealed the lack of something in every detail. The lack of money evident in JollyâÈçs shabby clothes. The lack of hygiene in the tangled hair and filthy nails. The lack of a parent who might stop a young boy from going out onto the Durban docks after dark.

Emmanuel focused the light on the stained waistband again. Jolly Marks always had a small notebook attached to the belt loop of the khaki pants, where he wrote orders for smokes and food. The string that held the book was still there, but the book itself was missing. That fact might be significant.

âÈêDid either of you pick up a spiral notebook with a string attached?âÈë he said.

âÈêNo,âÈë the brothers answered simultaneously.

Emmanuel crouched next to the body. An inch from JollyâÈçs right hand was a rusty penknife with the small blade extended. Emmanuel had owned a similar knife at almost exactly the same age. Jolly had understood that bad things happened out here at night.

Emmanuel knew this boy, knew the details of his life without having to ask a single question. HeâÈçd grown up with boys like Jolly Marks. No, that was a lie. This was whom heâÈçd grown up as. A dirty white boy. This could have been his fate: first on the streets of a JoâÈçburg slum and then on the battlefields in Europe. He had escaped and survived. Jolly would never have that chance. Emmanuel returned to the Indian men.

âÈêEither one of you touch this boy?âÈë

âÈêNever.âÈë AmalâÈçs body shook with the denial. âÈêNever, never ever.âÈë

âÈêYou?âÈë Emmanuel asked Parthiv.

âÈêNo. No ways. We were minding our own business and there he was.âÈë

Nobody in the back lanes of the Durban port after midnight was minding his own business unless that business was illegal. There was, however, a big difference between stealing and murder, and the brothersâÈç sharkskin suits were pressed and clean. Emmanuel checked their hands, also clean. Jolly lay in a bloodbath, his neck cut with a single stroke: the work of an experienced butcher.

âÈêHave either of you seen the boy before, maybe talked to him?âÈë

âÈêNo,âÈë Parthiv said, too quickly. âÈêDonâÈçt know him.âÈë

âÈêI wish IâÈçd never seen him.âÈë AmalâÈçs voice broke on the words. âÈêI wish IâÈçd stayed at home.âÈë

Emmanuel tilted the torch beam away from the teenagerâÈçs face. Violent death was shocking, but the violent death of a child was different; the effects sank deeper and lingered longer. Amal was only a few years older than Jolly and probably still a schoolboy.

âÈêSit down and rest against the wall,âÈë Emmanuel said.

Amal sank to the ground and sucked breath in through an open mouth. A panic attack was in the cards. âÈêAre you going to âÈö to âÈö arrest us, Detective?âÈë

Emmanuel pulled a small flask from a jacket pocket and unscrewed the lid. He handed it to Amal, who pulled back.

âÈêI donâÈçt drink. My mother says it makes you stupid.âÈë

âÈêMake an exception for tonight,âÈë Emmanuel said. âÈêItâÈçs mostly coffee anyway.âÈë

The teenager took a slurp and coughed till fat tears spilled from his eyes. Parthiv gave a derisive snort, embarrassed by his younger brotherâÈçs inability to hold liquor. Emmanuel pocketed the flask and checked the narrow alley between the warehouse wall and the goods train.

He had a body in the open, no murder weapon and two witnesses who, in all probability, had stumbled onto the crime scene. This was a detectiveâÈçs nightmareâÈ'but also a detectiveâÈçs dream. The scene was all his. There were no foot police to trample evidence into the mud and no senior detectives jockeying for control of the investigation. Clumps of vegetation embedded in the gravel shuddered in a sudden breeze. Beyond JollyâÈçs body, the butt of a hand-rolled cigarette blew on the ground. Emmanuel picked it up and smelled itâÈ'vanilla and chocolate. It was a special blend of flavored tobacco.

âÈêYou smoke, Parthiv?âÈë Emmanuel asked over his shoulder.

âÈêOf course.âÈë

âÈêWhat brand?âÈë

âÈêOld Gold. TheyâÈçre American.âÈë

âÈêI know them,âÈë Emmanuel said. Half the Yank army had puffed their way across Europe on Old Gold and Camel. For a few years it seemed that the smell of freedom was American tobacco and corned beef. Old Gold was a mass-market cigarette imported into South Africa. The vanilla and chocolate tobacco was probably made to order.

âÈêWhat about you, Amal âÈö do you smoke?âÈë

âÈêNo.âÈë

âÈêNot even a puff after school?âÈë

âÈêOnly once. I didnâÈçt like it. It hurt my lungs.âÈë

Parthiv snorted again.

Emmanuel shone the beam on JollyâÈçs hands and face. Amal looked away. There were no defense wounds on the boyâÈçs hands despite the open penknife. The killer had worked fast and with maximum efficiency. Maybe it was the night chill that made the murder read cold and dispassionate. The word professional came to EmmanuelâÈçs mind.

This was hardly a description that fit either one of the Dutta boys. He played the torchlight over the rough ground again, looking for hard evidence. JollyâÈçs order book was nowhere near the body.

A coupling creaked in the darkness. Parthiv and Amal focused on an object in the gloom of the freight yard behind him. Emmanuel swiveled and a black hole opened up and swallowed him.

Âû 2010 Malla Nunn

Media reviews

Citations

  • Booklist, 04/01/2010, Page 26
  • Kirkus Reviews, 03/01/2010, Page 172
  • Publishers Weekly, 02/08/2010, Page 30

About the author

Malla Nunn was born in Swaziland, South Africa, and currently lives in Sydney, Australia. She is a filmmaker with three award-winning films to her credit, as well as the author of the Emmanuel Cooper crime series, When the Ground Is Hard, and Sugar Town Queens.
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