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The Whistling Season
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The Whistling Season Paperback - 2007

by Ivan Doig

The saga of how a widow from Minneapolis and her brother--soon to become the new teacher in a tiny Montana community in 1909--change lives in unexpected ways has all the charm of old-school storytelling, from Dickens to Laura Ingalls Wilder.


Summary

Novelist Ivan Doig revisits the American west in the early twentieth century, bringing to life the eccentric individuals and idiosyncratic institutions that made it thrive.

 

“Can't cook but doesn't bite." So begins the newspaper ad offering the services of an "A-1 housekeeper, sound morals, exceptional disposition" that draws the attention of widower Oliver Milliron in the fall of 1909. That unforgettable season deposits the ever-whistling Rose Llewellyn and her font-of-knowledge brother, Morris Morgan, in Marias Coulee along with a stampede of homesteaders drawn by the promise of the Big Ditch—a gargantuan irrigation project intended to make the Montana prairie bloom. When the schoolmarm runs off with an itinerant preacher, Morris is pressed into service, setting the stage for the "several kinds of education"—none of them of the textbook variety—Morris and Rose will bring to Oliver, his three sons, and the rambunctious students in the region's one-room schoolhouse. A paean to a way of life that has long since vanished, The Whistling Season is Ivan Doig at his evocative best.

From the publisher

"Can't cook but doesn't bite." So begins the newspaper ad offering the services of an "A-1 housekeeper, sound morals, exceptional disposition" that draws the attention of widower Oliver Milliron in the fall of 1909. That unforgettable season deposits the ever-whistling Rose Llewellyn and her font-of-knowledge brother, Morris Morgan, in Marias Coulee along with a stampede of homesteaders drawn by the promise of the Big Ditch--a gargantuan irrigation project intended to make the Montana prairie bloom.

When the schoolmarm runs off with an itinerant preacher, Morris is pressed into service, setting the stage for the "several kinds of education"--none of them of the textbook variety--Morris and Rose will bring to Oliver, his three sons, and the rambunctious students in the region's one-room schoolhouse.

"Flawless...The Whistling Season is a book that strives for more than beauty, which it achieves, it reaches for joy."--O, the Oprah Magazine

From the rear cover

"Can t cook but doesn t bite." So begins the newspaper ad offering the services of an "A-1 housekeeper, sound morals, exceptional disposition" that draws the hungry attention of widower Oliver Milliron in the fall of 1909. And so begins the unforgettable season that deposits the noncooking, nonbiting, ever-whistling Rose Llewellyn and her font-of-knowledge brother, Morris Morgan, in Marias Coulee along with a stampede of homesteaders drawn by the promise of the Big Ditch a gargantuan irrigation project intended to make the Montana prairie bloom. When the schoolmarm runs off with an itinerant preacher, Morris is pressed into service, setting the stage for the "several kinds of education" none of them of the textbook variety Morris and Rose will bring to Oliver, his three sons, and the rambunctious students in the region s one-room schoolhouse.
A paean to a vanished way of life and the eccentric individuals and idiosyncratic institutions that made it fertile, "The Whistling Season" is Ivan Doig at his evocative best."

From the jacket flap

"Can t cook but doesn t bite." So begins the newspaper ad offering the services of an "A-1 housekeeper, sound morals, exceptional disposition" that draws the hungry attention of widower Oliver Milliron in the fall of 1909. And so begins the unforgettable season that deposits the noncooking, nonbiting, ever-whistling Rose Llewellyn and her font-of-knowledge brother, Morris Morgan, in Marias Coulee along with a stampede of homesteaders drawn by the promise of the Big Ditch a gargantuan irrigation project intended to make the Montana prairie bloom. When the schoolmarm runs off with an itinerant preacher, Morris is pressed into service, setting the stage for the "several kinds of education" none of them of the textbook variety Morris and Rose will bring to Oliver, his three sons, and the rambunctious students in the region s one-room schoolhouse.
A paean to a vanished way of life and the eccentric individuals and idiosyncratic institutions that made it fertile, "The Whistling Season" is Ivan Doig at his evocative best."

Details

  • Title The Whistling Season
  • Author Ivan Doig
  • Binding Paperback
  • Edition Later Printing
  • Pages 352
  • Volumes 1
  • Language ENG
  • Publisher Mariner Books, New York, New York
  • Date 2007-05-07
  • ISBN 9780156031646 / 0156031647
  • Weight 0.6 lbs (0.27 kg)
  • Dimensions 7.9 x 5.2 x 1 in (20.07 x 13.21 x 2.54 cm)
  • Themes
    • Chronological Period: 1900-1919
    • Cultural Region: Pacific Northwest
    • Cultural Region: Western U.S.
    • Geographic Orientation: Montana
    • Sex & Gender: Feminine
  • Library of Congress subjects Brothers and sisters, Historical fiction
  • Dewey Decimal Code FIC

Excerpt

When i visit the back corners of my life again after so long a time, littlest things jump out first. The oilcloth, tiny blue windmills on white squares, worn to colorless smears at our four places at the kitchen table. Our father’s pungent coffee, so strong it was almost ambulatory, which he gulped down from suppertime until bedtime and then slept serenely as a sphinx. The pesky wind, the one element we could count on at Marias Coulee, whistling into some weather­-­cracked cranny of this house as if invited ­in.
 
           That night we were at our accustomed spots around the table, Toby coloring a battle between pirate ships as fast as his hand could go while I was at my schoolbook, and Damon, who should have been at his, absorbed in a secretive game of his own devising called domino solitaire. At the head of the table, the presiding sound was the occasional turning of a newspaper page. One has to imagine our father reading with his finger, down the column of rarely helpful want ads in the Westwater Gazette that had come in our week’s gunnysack of mail and provisions, in
his customary search for a colossal but underpriced team of workhorses, and that inquisitive finger now stubbing to a stop at one particular heading. To this day I can hear the signal of amusement that line of type drew out of him. Father had a short, sniffing way of laughing, as if anything funny had to prove it to his nose ­first.
 
           I glanced up from my geography lesson to discover the newspaper making its way in my direction. Father’s thumb was crimped down onto the heading of the ad like the holder of a divining rod striking water. “Paul, better see this. Read it to the ­multitude.”
 
           I did so, Damon and Toby halting what they were at to try to take in those five simple yet confounding ­words:
 
Can’t Cook But Doesn’t ­Bite.
 
           Meal­-­making was not a joking matter in our household. Father, though, continued to look pleased as could be and nodded for me to keep reading ­aloud.
 
Housekeeping position sought by widow. Sound morals, exceptional disposition. No culinary skills, but A­-­1 in all other household tasks. Salary negotiable, but must include railroad fare to Montana locality; first year of peerless care for your home thereby guaranteed. Respond to Boxholder, Box 19, Lowry Hill Postal Station, Minneapolis, ­Min­nesota.
 
Normal style="MARGIN: 0in 0in 0pt; tab-stops: 24.0pt"           Minneapolis was a thousand miles to the east, out of immediate reach even of the circumference of enthusiasm we could see growing in our father. But his response wasted no time in trying itself out on the three of us. “Boys? Boys, what would you think of our getting a ­housekeeper?”
 
           “Would she do the milking?” asked Damon, ever the cagey ­one.
 
           That slowed up Father only for a moment. Delineation of house chores and barn chores that might be construed as a logical extension of our domestic upkeep was exactly the sort of issue he liked to take on. “Astutely put, Damon. I see no reason why we can’t stipulate that churning the butter begins at the point of the ­cow.”
 
           Already keyed up, Toby wanted to know, “Where she gonna ­sleep?”
 
           Father was all too ready for this one. “George and Rae have their spare room going to waste now that the teacher doesn’t have to board with them.” His enthusiasm really was expanding in a hurry. Now our relatives, on the homestead next to ours, were in the market for a lodger, a lack as unbeknownst to them as our need for a housekeeper had been to us two minutes ­ago.
 
           “Lowry Hill.” Father had turned back to the boldface little advertisement as if already in conversation with it. “If I’m not mistaken, that’s the cream of ­Minneapolis.”
 
           I hated to point out the obvious, but that chore seemed to go with being the oldest son of Oliver ­Milliron.
 
           “Father, we’re pretty much used to the house muss by now. It’s the cooking part you say you wouldn’t wish on your worst enemy.”
 
           He knew—we all knew—I had him ­there.
 
size: 10.0pt; mso-bidi-font-family: 'Times New Roman'"           Damon’s head swiveled, and then Toby’s, to see how he could possibly deal with this. For miles around, our household was regarded with something like a low fever of consternation by every woman worthy of her apron. As homestead life went, we were relatively prosperous and “bad off,” as it was termed, at the same time. Prosperity, such as it was, consisted of payments coming in from the sale of Father’s drayage business back in Manitowoc, Wisconsin. The “bad off” proportion of our situation was the year­-­old grave marker in the Marias Coulee cemetery. Its inscription, chiseled into all our hearts as well as the stone, read Florence Milliron, Beloved Wife and Mother (1874–1908). As much as each of the four of us missed her at other times, mealtimes were a kind of tribal low point where we contemplated whatever Father had managed to fight onto the table this time. “’Tovers, everyone’s old favorite!” he was apt to announce desperately as he set before us leftover hash on its way to becoming leftover ­stew.
 
           Now he resorted to a lengthy slurp of his infamous coffee and came up with a response to me, if not exactly a ­reply:
 
           “These want ads, you know, Paul—there’s always some give to them. It only takes a little bargaining. If I were a wagering man, I’d lay money Mrs. Minneapolis there isn’t as shy around a cookstove as she makes herself out to ­be.”
 
           “But—” My index finger pinned down the five tablet­-­bold words of the ­heading.
 
           “The woman was in a marriage,” Father patiently overrode the evidence of the newsprint, “so she had to have functioned in a ­kitchen.”
 
           With thirteen­-­year­-­old sagacity, I pointed out: “Unless her husband starved ­out.”
 
           “Hooey. Every woman can cook. Paul, get out your good pen and ­paper.”
 
 
 
~
 
ZE: 9pt; FONT-FAMILY: Times; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: 'Times New Roman'"This jilted old house and all that it holds, even empty. If I have learned anything in a lifetime spent overseeing schools, it is that childhood is the one story that stands by itself in every soul. As surely as a compass needle knows north, that is what draws me to these remindful rooms as if the answer I need by the end of this day is written in the dust that carpets ­them.
 
           The wrinkled calendar on the parlor wall stops me in my tracks. It of course has not changed since my last time here. Nineteen fifty­-­two. Five years, so quickly passed, since the Marias Coulee school board begged the vacant old place from me for a month while they repaired the roof of their teacherage and I had to come out from the department in Helena to go over matters with them. What I am startled to see is that the leaf showing on the calendar—October—somehow stays right across all the years: that 1909 evening of Paul, get out your good pen and paper, the lonely teacher’s tacking up of something to relieve these bare walls so long after that, and my visit now under such a changed sky of ­history.
 
           The slyness of calendars should not surprise me, I suppose. Passing the newly painted one­-­room school, our school, this morning as I drove out in my state government car, all at once I was again at that juncture of time when Damon and Toby and I, each in our turn, first began to be aware that we were not quite of our own making and yet did not seem to be simply rewarmed ’tovers of our elders, either. How could I, who back there at barely thirteen realized that I must struggle awake every morning of my life before anyone else in the house to wrest myself from the grip of my tenacious dreams, be the offspring of a man who slept solidly as a railroad tie? And Damon, fists­-­up Damon, how could he derive from our peaceable mother? Ready or not, we were being introduced to ourselves, sometimes in a fashion as hard to follow as our father’s reading finger. Almost any day in the way stations of childhood we passed back and forth between, prairie homestead and country school, was apt to turn into a fresh puzzle piece of life. Something I find true even ­yet.
 
           It is Toby, though, large­-­eyed prairie child that he was, whom I sensed most as I slowed there at the small old school with its common room and the bank of windows away from its weather side. Damon or I perhaps can be imagined taking our knocks from fate and putting ourselves back into approximately what we seemed shaped to be, if we had started off on some other ground of life than that of Marias Coulee. But Toby was breath and bone of this place, and later today when I must go into Great Falls to give the county superintendents, rural teachers, and school boards of Montana’s fifty­-­six counties my edict, I know it will be their Tobys, their schoolchildren produced of this soil and the mad valors of homesteaders such as Oliver ­Milliron, that they will plead ­for.
Copyright © 2006 by Ivan Doig
 
All rights reserved. No part of this publication may be reproduced
or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system,
without permission in writing from the publisher.
 
Requests for permission to make copies of any part of the work should
be mailed to the following address: Permissions Department, Harcourt, Inc.,
6277 Sea Harbor Drive, Orlando, Florida 32887-6777.


Media reviews

PRAISE FOR THE WHISTLING SEASON

"Flawless . . . The Whistling Season is a book that strives for more than beauty, which it achieves: It reaches for joy."—O, THE OPRAH MAGAZINE

"Luminous . . . Doig has given us yet another memorable tale set in the historical West but contemporary in its themes and universal in its insights into the human heart."—THE SEATTLE TIMES

Citations

  • New York Times, 06/17/2007, Page 24

About the author

Ivan Doig is the author of ten previous books, including the novels Prairie Nocturne and Dancing at the Rascal Fair. A former ranch hand, newspaperman, and magazine editor, Doig holds a Ph.D. in history from the University of Washington. He lives in Seattle.
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