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Hamlet and the Baker's Son: My Life in Theatre and Politics
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Hamlet and the Baker's Son: My Life in Theatre and Politics Paperback - 2001 - 1st Edition

by Augusto Boal; Candida Blaker (Translator); Adrian Jackson (Translator)


From the publisher

Hamlet and the Baker's Son is the autobiography of Augusto Boal, inventor of the internationally renowned Forum Theatre system, and 'Theatre of the Oppressed' and author of Games for Actors and Non-Actors. From his early days in Brazil's political theatre movement to his recent experiments with theatre as a democratic political process, Boal has devised a unique way of using the stage to empower the disempowered, and taken his methods everywhere from the favelas of Rio to the rehearsal studios of the Royal Shakespeare Company.

From the rear cover

He is the inventor of the internationally renowned Forum Theatre system and 'Theatre of the Oppressed', including Image Theatre, Invisible Theatre, Rainbow of Desire and Legislative Theatre. He travels the world giving workshops and inspiration to teachers, psychotherapists, prisoners, actors, and workers in a myriad other fields. Augusto Boal is a visionary as well as a man of his time: the Brazil of military dictatorship and artistic and social repression.

But this political man of the theatre, and theatrical man of politics -- once imprisoned for his subversive activities -- is also a passionately creative force in contemporary cultural life.

From his childhood and early days in Brazil's political theatre movement to his more recent experiments with Forum Theatre as a democratic political process, Boal's story is a moving and extraordinary one. He has devised a unique way of using the stage to empower the disempowered, and taken his methods from the fevelas of Rio to the rehearsal studios of the Royal Shakespeare Company.

A distinctive warmth and humour fill these pages, demonstrating Boal's commitment to his personal/political slogan:

'Have the courage to be happy!'

Details

  • Title Hamlet and the Baker's Son: My Life in Theatre and Politics
  • Author Augusto Boal; Candida Blaker (Translator); Adrian Jackson (Translator)
  • Binding Paperback
  • Edition number 1st
  • Edition 1
  • Pages 382
  • Volumes 1
  • Language ENG
  • Publisher Routledge, London
  • Date 2001-02-23
  • Features Index
  • ISBN 9780415229890 / 0415229898
  • Weight 1.41 lbs (0.64 kg)
  • Dimensions 8.8 x 6.38 x 0.7 in (22.35 x 16.21 x 1.78 cm)
  • Themes
    • Cultural Region: Latin America
  • Library of Congress subjects Boal, Augusto, Theatrical producers and directors - Brazil
  • Library of Congress Catalog Number 00062746
  • Dewey Decimal Code B

Media reviews

Citations

  • Choice, 11/01/2001, Page 522
  • Library Journal, 06/15/2001, Page 74
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Hamlet and the Baker's Son: My Life in Theatre and Politics (Augusto Boal)

Hamlet and the Baker's Son: My Life in Theatre and Politics (Augusto Boal)

by Boal, Augusto

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Hamlet and the Baker's Son: My Life in Theatre and Politics
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Hamlet and the Baker's Son: My Life in Theatre and Politics

by Boal, A.

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Hamlet and the Baker's Son: My Life in Theatre and Politics
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Hamlet and the Baker's Son: My Life in Theatre and Politics

by Boal, A Jackson, A (trans.) Blaker, C (trans.)

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Hamlet and the Baker's Son : My Life in Theatre and Politics
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Hamlet and the Baker's Son : My Life in Theatre and Politics

by Boal, Augusto

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Hamlet and the Baker's Son: My Life in Theatre and Politics
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Hamlet and the Baker's Son: My Life in Theatre and Politics

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Hamlet and the Baker's Son: My Life in Theatre and Politics
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Hamlet and the Baker's Son: My Life in Theatre and Politics

by Boal, A.

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Hamlet and the Baker's Son: My Life in Theatre and Politics
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Hamlet and the Baker's Son: My Life in Theatre and Politics

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Hamlet and the Baker's Son : My Life in Theatre and Politics
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Hamlet and the Baker's Son : My Life in Theatre and Politics

by Boal, Augusto

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Hamlet and the Baker's Son: My Life in Theatre and Politics (Augusto Boal's Memoirs)
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Paperback / softback. New. A study of the life of Augusto Boal, a man who brought together the worlds of politics and art in his work. He has devised a unique way of using the stage to empower the disempowered, and taken his methods from the favelas of Rio to the rehearsal studios of the Royal Shakespeare Company.
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