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Improvisation for the Theater A Handbook of Teaching and Directing Techniques
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Improvisation for the Theater A Handbook of Teaching and Directing Techniques Paperback - 1983

by Viola Spolin


From the publisher

In Force, Drive, Desire, Rudolf Bernet develops a philosophical foundation of psychoanalysis focusing on human drives. Rather than simply drawing up a list of Freud's borrowings from Schopenhauer and Nietzsche, or Lacan's from Hegel and Sartre, Bernet orchestrates a dialogue between philosophy and psychoanalysis that goes far beyond what these eminent psychoanalysts knew about philosophy. By relating the writings of Freud, Lacan, and other psychoanalysts to those of Aristotle, Leibniz, Schopenhauer, Nietzsche, Husserl, Heidegger, and, more tacitly, Bergson and Deleuze, Bernet brings to light how psychoanalysis both prolongs and breaks with the history of Western metaphysics and philosophy of nature.

Rereading the long history of metaphysics (or at least a few of its key moments) in light of psychoanalytic inquiries into the nature and function of drive and desire also allows for a rewriting of the history of philosophy. Specifically, it allows Bernet to bring to light a different history of metaphysics, one centered less on Aristotelian substance (ousia) and more on the concept of dunamis--a power or potentiality for a realization toward which it strives with all its might. Relating human drives to metaphysical forces also bears fruit for a renewed philosophy of life and subjectivity.

Details

  • Title Improvisation for the Theater A Handbook of Teaching and Directing Techniques
  • Author Viola Spolin
  • Binding Paperback
  • Edition [ Edition: Repri
  • Pages 396
  • Publisher Northwestern Univ Pr, Chicago, Illinois, U.S.A.
  • Date August 1983
  • ISBN 9780810140004

About the author

RUDOLF BERNET is a professor emeritus of philosophy at the University of Leuven in Belgium and former director of the Husserl Archives. He has been a visiting professor at the Universit Nice Sophia Antipolis, the University of Copenhagen, Boston College, the Sapienza University of Rome, Stony Brook University, the Chinese University of Hong Kong, the Albert Ludwig University of Freiburg, and Peking University. He is the editor of Edmund Husserl's Texte zur Phnomenologie des inneren Zeitbewusstseins (The Phenomenology of Internal Time-Consciousness) and Die Bernauer Manuskripte ber das Zeitbewusstsein (The Bernau Manuscripts on Time-Consciousness), the coauthor of An Introduction to Husserlian Phenomenology, and the author of La vie du sujet: Recherches sur l'interprtation de Husserl dans la phnomnologie (The Life of the Subject: Research on Husserl's Interpretation of Phenomenology) and Conscience et existence: Perspectives phnomnologiques (Consciousness and Existence: Phenomenological Perspectives).
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Improvisation for the Theater: A Handbook of Teaching and Directing Techniques
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Improvisation for the Theater: A Handbook of Teaching and Directing Techniques

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Improvisation for the Theater : A Handbook of Teaching and Directing Techniques

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by Rudolf Bernet; Viola Spolin

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Improvisation for the Theater : A Handbook of Teaching and Directing Techniques

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Improvisation for the Theater : A Handbook of Teaching and Directing Techniques

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Improvisation for the Theater : A Handbook of Teaching and Directing Techniques

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Improvisation for the Theater : A Handbook of Teaching and Directing Techniques
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Improvisation for the Theater : A Handbook of Teaching and Directing Techniques

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Improvisation for the Theater : A Handbook of Teaching and Directing Techniques
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Improvisation for the Theater : A Handbook of Teaching and Directing Techniques

by Spolin, Viola

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