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Utamaro: Portraits from the Floating World
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Utamaro: Portraits from the Floating World Paperback - 2001

by Tadashi Kobayashi


From the publisher

Who was the man behind the pseudonym "Utamaro"? We know that he was one of the greatest artists of eighteenth-century Japan, and that he was a master portraitist of women in the woodblock-print tradition known as ukiyo-e. But as for the man himself, we know almost nothing. The little there
is-gleaned from contemporary books, miscellaneous writings, temple registers-is brought together in this book to present as clear a picture of Utamaro's life as modem researchers are capable of. Utamaro is placed in his cultural setting-the pleasure-loving urban culture of eighteenth-century Tokyo,
the shogun's capital and the de facto center of Japan

Utamaro's world was that of teahouse girls and courtesans whose fame and popularity can only be compared, in modern terms, to those of a movie actress whose name is on every man's lips. His was a world of popular literature and art, of publishers competing for the work of the most talked-about
writers and artists. This world, however, was under the constant scrutiny of the authorities, and near the end of his career, Utamaro fell afoul of the government's proscription of certain subject matter, and he was sentenced to three days in prison and fifty days in hand chains.

But Utamaro's life is only one theme of this book. The other is the development of his art, the perfection of his depictions of women that enabled him to capture subtle moods and differences of character. The prints of women produced by the ukiyo-e artists preceding Utamaro showed expressionless
beauties of little individuality. It was against this that Utamaro rebelled, creating such prints as that of the kashi, one of the lowest ranking of courtesans-in fact, a mere prostitute. Recognizing within himself the power to see and depict the individual behind the outward appearance, Utamaro
added to some of his prints the notation "Studies in Physiognomic Judgment of Character by Utamaro." Modem opinion tends to agree with Utamaro's assessment of himself, and his reputation as an artist of the inner woman has firmly established him in the top ranks of the ukiyo-e world.

First line

Utamaro created the new genre of bijin okubi-e, a genre that emphasized the facial features and expressions of his subjects rather than full-length figures, during the Kansei era (1789-1801).

Details

  • Title Utamaro: Portraits from the Floating World
  • Author Tadashi Kobayashi
  • Binding Paperback
  • Edition Reprint
  • Pages 96
  • Volumes 1
  • Language ENG
  • Publisher Kodansha, Tokyo
  • Date February 12, 2001
  • Illustrated Yes
  • ISBN 9784770027306 / 4770027303
  • Weight 1.37 lbs (0.62 kg)
  • Dimensions 6.8 x 9.8 x 0.6 in (17.27 x 24.89 x 1.52 cm)
  • Library of Congress Catalog Number 81020693
  • Dewey Decimal Code 769.92

About the author


TADASHI KOBAYASHI, born in Tokyo and a graduate of the University of Tokyo, served as lecturer at the University of Nagoya and curator at the Tokyo National Museum. He has written extensively on Japanese art, particularly that of the Edo period. In English he is author of Ukiyo-e: An Introduction to
Japanese Woodblock Prints, also published by Kodansha International.
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