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A Most Ingenious Paradox The Art of Gilbert and Sullivan
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A Most Ingenious Paradox The Art of Gilbert and Sullivan Hardcover - 2001

by Gayden Wren


From the publisher

Written more than a century ago and initially regarded even by their creators as nothing more than light entertainment, the fourteen operas of Gilbert & Sullivan emerged over the course of the twentieth century as the world's most popular body of musical-theater works, ranking second only to
Shakespeare in the history of English-language theater.
Despite this resounding popularity and proven longevity, most books written about the duo have focused on the authors rather than the works. With this detailed examination of all fourteen operas, Gayden Wren fills this void. His bold thesis finds the key to the operas' longevity, not in the clever
lyrics, witty dialogue, or catchy music, but in the central themes underlying the characters and stories themselves. Like Shakespeare's comedies, Wren shows, the operas of Gilbert & Sullivan endure because of their timeless themes, which speak to audiences as powerfully now as they did the first
time they were performed. Written out of an abiding love for the Savoy operas, this volume is essential reading for any devotee of these enchanting works, or indeed for anyone who loves musical theater.

First line

When Gilbert and Sullivan collaborated for the first time in 1871, it was by no means apparent that Gilbert's destiny lay in opera, or in collaboration with Sullivan.

Details

  • Title A Most Ingenious Paradox The Art of Gilbert and Sullivan
  • Author Gayden Wren
  • Binding Hardcover
  • Edition First Edition
  • Pages 416
  • Publisher Oxford University Press, USA, New York
  • Date December 20, 2001
  • ISBN 9780195145144

About the author


Gayden Wren is the entertainment editor for The New York Times Syndicate and artistic director of the New Punctuation Army, Inc. He is also a playwright whose produced works include A Gilbert & Sullivan Christmas Carol (1994) and Very Truly Yours, Gilbert & Sullivan (1997).
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