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Electronic and Computer Music
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Electronic and Computer Music Paperback - 2003

by Manning, Peter.


From the publisher

In this revised and expanded third edition of the classic text on the history and evolution of electronic and computer music, Peter Manning provides the definitive account of the medium from its birth to the present day.
After explaining the antecedents of electronic music from the turn of the century to the Second World War, Manning discusses the emergence of early "classical" studios of the 1950s. He goes on to chronicle the upsurge of creative activity during the 1960s and 70s in the analog domain, as well as
with live electronic music and the early use of electronics in rock and pop music. This edition contains new information about software innovations, digital media and the essential features of digital and audio control, the MIDI synthesizer and its many derivatives, and the evolution of computer
workstations and multimedia personal computers.
Manning offers a critical perspective of the medium both in terms of its musical output and the philosophical and technical features that have shaped its growth. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning
covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on this ever-evolving subject.

First line

Buried among the records of the United States patent office for the year 1897 is a rather unusual entry, no. 580.035, registered in the name of Thaddeus Cahill.

Details

  • Title Electronic and Computer Music
  • Author Manning, Peter.
  • Binding Paperback
  • Edition REV,ENL
  • Pages 496
  • Publisher Oxford University Press, USA, Oxford - New York
  • Date December 30, 2003
  • ISBN 9780195170856

About the author


Peter Manning completed a doctorate in electroacoustic music at the University of Durham, and has been the director of its Electroacoustic Music Studio since 1980. In addition to writing books and articles on the history and development of the medium, he has directed several research programs into
new technologies for computer music and composed a number of widely performed electroacoustic works.
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Electronic and Computer Music

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