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Schenker project : culture, race, and music theory in fin-de-siècle Vienna
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Schenker project : culture, race, and music theory in fin-de-siècle Vienna Hardcover - 2007

by Nicholas Cook


From the publisher

Includes bibliographical references (p. 333-345) and index

Details

  • Title Schenker project : culture, race, and music theory in fin-de-siècle Vienna
  • Author Nicholas Cook
  • Binding Hardcover
  • Edition 1st Edition
  • Pages 368
  • Language ENG
  • Publisher Oxford University Press, Oxford
  • Date 2007
  • Features Bibliography, Dust Cover, Illustrated, Index
  • ISBN 9780195170566
  • Themes
    • Ethnic Orientation: Jewish
    • Interdisciplinary Studies: Jewish Studies
    • Religious Orientation: Jewish
  • Library of Congress Catalog Number 2006031704

About the author

Nicholas Cook is Professor of Music at Cambridge University. He was Professorial Research Fellow in Music at Royal Holloway, University of London, where he directs the AHRC Research Centre for the History and Analysis of Recorded Music (CHARM). He is the author of articles and books on a wide variety of musicological and theoretical subjects (his Music: A Very Short Introduction has been translated into ten languages). He was elected Fellow of the British Academy in 2001.
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The Schenker Project: Culture, Race, and Music Theory in Fin-de-si`ecle Vienna
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The Schenker Project: Culture, Race, and Music Theory in Fin-de-si`ecle Vienna

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The Schenker Project: Culture, Race, and Music Theory in Fin-De-Siecle Vienna
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The Schenker Project: Culture, Race, and Music Theory in Fin-De-Siecle Vienna

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The Schenker Project : Culture, Race, and Music Theory in Fin-De-siècle Vienna
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The Schenker Project : Culture, Race, and Music Theory in Fin-De-siècle Vienna

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The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna
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Hardback. New. This book interprets the music theory of Henrich Schenker (1868-1935), as part of a project encompassing musical reform and social and political critique. It sets his work into the contexts of Viennese modernism, German cultural conservatism, and Schenker's position as a Jewish immigrant to the city where modern anti-semitism first developed.
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The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna
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