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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema
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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema Paperback - 2012

by Angela Smith


Details

  • Title Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema
  • Author Angela Smith
  • Binding Paperback
  • Edition 1st Edition
  • Pages 368
  • Volumes 1
  • Language ENG
  • Publisher Columbia University Press
  • Date 2012-01-24
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index, Recycled Paper, Table of Contents
  • ISBN 9780231157179 / 0231157177
  • Weight 1 lbs (0.45 kg)
  • Dimensions 8.9 x 5.9 x 0.9 in (22.61 x 14.99 x 2.29 cm)
  • Ages 22 to UP years
  • Grade levels 17 - UP
  • Themes
    • Aspects (Academic): Film
  • Library of Congress subjects Horror films - History and criticism, People with disabilities in motion pictures
  • Library of Congress Catalog Number 2011040542
  • Dewey Decimal Code 791.436

About the author

Angela M. Smith is assistant professor of English and gender studies at the University of Utah. Her essays have appeared in Post Script and College Literature as well as in the anthologies Horror Zone: The Cultural Experience of Contemporary Horror Cinema and Popular Eugenics: National Efficiency and American Mass Culture in the Thirties.
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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema
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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema

by Smith, Angela

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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema

Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema

by Angela M. Smith

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Paperback / softback. New. Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics.… Read More
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Hideous Progeny  Disability, Eugenics, and Classic Horror Cinema
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Hideous Progeny Disability, Eugenics, and Classic Horror Cinema

by Smith, Angela

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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema (Film and Culture Series)
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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema (Film and Culture Series)

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Hideous Progeny – Disability, Eugenics, and Classic Horror Cinema
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Hideous Progeny – Disability, Eugenics, and Classic Horror Cinema

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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema (Film and Culture Series)
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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema (Film and Culture Series)
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Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema (Film and Culture Series)

by Smith, Angela

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Hideous Progeny : Disability, Eugenics, and Classic Horror Cinema

by Smith, Angela

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