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Shared Intelligence: American Painting and the Photograph
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Shared Intelligence: American Painting and the Photograph Hardcover - 2011 - 1st Edition

by Barbara Buhler Lynes (Editor); Jonathan Weinberg (Editor)


From the publisher

Shared Intelligence, companion catalog to the exhibition of the same name, explores the stimulating and productive relationship between painting and photography in American art. The essays in this beautifully illustrated book describe how this dynamic developed, beginning in the nineteenth century and continuing to the twenty-first--from Thomas Eakins to the Stieglitz circle and Georgia O'Keeffe to contemporary art. The book shows that while the initial proponents of photography were struggling to secure its place among the fine arts, photography's inherent expressiveness was leading painters to use the camera in their work. And as cameras and photographs became part of American culture, photographic seeing--how a photograph freezes, flattens, enlarges, and crops its subject--began to affect artists' visual representations. This gorgeous volume, which also includes interviews with artists Robert Bechtle, Barkley Hendricks, and Sherrie Levine, documents the complex ways in which painting and photography have influenced one another--not to undermine each's originality, but to celebrate the deep, continuing connections between them.

From the rear cover

"Shared Intelligence looks at what painters have borrowed from photography over the past century. What emerges is the painter's growing respect for a sister medium as well as the primacy of the photograph in the modern world. To paint photographically has become a significant hallmark in contemporary art."--Wanda M. Corn, author of Women Building History: Public Art at the 1893 Columbian Exposition

Details

  • Title Shared Intelligence: American Painting and the Photograph
  • Author Barbara Buhler Lynes (Editor); Jonathan Weinberg (Editor)
  • Binding Hardcover
  • Edition number 1st
  • Edition 1
  • Pages 240
  • Volumes 1
  • Language ENG
  • Publisher University of California Press, Berkeley, Calif.
  • Date 2011
  • Illustrated Yes
  • ISBN 9780520269064 / 0520269063
  • Weight 2.16 lbs (0.98 kg)
  • Dimensions 10.6 x 8.6 x 0.7 in (26.92 x 21.84 x 1.78 cm)
  • Library of Congress subjects Art and photography - United States
  • Library of Congress Catalog Number 2010031537
  • Dewey Decimal Code 759.130

Media reviews

Citations

  • Choice, 08/01/2011, Page 0

About the author

Barbara Buhler Lynes, Curator of the Georgia O'Keeffe Museum and Emily Fisher Landau Director of the Museum Research Center, is the author of many other publications, including Georgia O'Keeffe Catalogue Raisonn. Jonathan Weinberg is the author of several books, including Male Desire: The Homoerotic in American Art and Fantastic Tales: The Photography of Nan Goldin.
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Shared Intelligence: American Painting and the Photograph

Shared Intelligence: American Painting and the Photograph

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Shared Intelligence: American Painting and the Photograph
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Shared Intelligence: American Painting and the Photograph

by Editor-Barbara Buhler Lynes; Editor-Jonathan Weinberg

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Shared Intelligence: American Painting and the Photograph
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Shared Intelligence: American Painting and the Photograph

by Buhler Lynes, B. and Weinberg, J. (eds)

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University of California Press, 2011. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780520269064
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Lynes, Barbara Buhler and Weinberg, Jonathan (editors)
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Lynes, Barbara Buhler and Weinberg, Jonathan (editors)

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Berkeley. 2011. University of California Press. 1st American Edition. Very Good in Hardcover. No Dustjacket As Issued. 9780520269064. 274 pages. hardcover. keywords: Art Painting Photography. FROM THE PUBLISHER - Shared Intelligence, companion catalog to the exhibition of the same name, explores the stimulating and productive relationship between painting and photography in American art. The essays in this beautifully illustrated book describe how this dynamic developed, beginning in the nineteenth century and continuing to the twenty-first - from Thomas Eakins to the Stieglitz circle and Georgia O'Keeffe to contemporary art. The book shows that while the initial proponents of photography were struggling to secure its place among the fine arts, photography's inherent expressiveness was leading painters to use the camera in their work. And as cameras and photographs became part of American culture, photographic seeing - how a photograph freezes, flattens, enlarges, and crops its subject - began… Read More
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Shared Intelligence: American Painting and the Photograph
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Shared Intelligence: American Painting and the Photograph

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