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Performance and Identity in the Classical World
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Performance and Identity in the Classical World Hardcover - 2006

by Anne Duncan


From the publisher

Actors in the classical world were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of "popular performance theory." This study examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.

Details

  • Title Performance and Identity in the Classical World
  • Author Anne Duncan
  • Binding Hardcover
  • Edition 1st
  • Pages 252
  • Volumes 1
  • Language ENG
  • Publisher Cambridge University Press
  • Date 2006-01-30
  • Features Bibliography
  • ISBN 9780521852821 / 052185282X
  • Weight 1.05 lbs (0.48 kg)
  • Dimensions 9.24 x 6.4 x 0.82 in (23.47 x 16.26 x 2.08 cm)
  • Themes
    • Chronological Period: Ancient (To 499 A.D.)
    • Cultural Region: Greece
  • Library of Congress subjects Self in literature, Identity (Psychology) in literature
  • Library of Congress Catalog Number 2005011726
  • Dewey Decimal Code 792.080
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Performance and Identity in the Classical World
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Performance and Identity in the Classical World

by Anne Duncan

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Performance and Identity in the Classical World
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Performance and Identity in the Classical World

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PERFORMANCE AND IDENTITY IN THE CLASSICAL WORLD
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PERFORMANCE AND IDENTITY IN THE CLASSICAL WORLD

by ANNE DUNCAN, UNIVERSITY OF NEBRASKA, LINCOLN,

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PERFORMANCE AND IDENTITY IN THE CLASSICAL WORLD

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Performance and Identity in the Classical World

Performance and Identity in the Classical World

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