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Coding Freedom: The Ethics and Aesthetics of Hacking
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Coding Freedom: The Ethics and Aesthetics of Hacking Paperback - 2012

by E. Gabriella Coleman


From the publisher

Who are computer hackers? What is free software? And what does the emergence of a community dedicated to the production of free and open source software--and to hacking as a technical, aesthetic, and moral project--reveal about the values of contemporary liberalism? Exploring the rise and political significance of the free and open source software (F/OSS) movement in the United States and Europe, Coding Freedom details the ethics behind hackers' devotion to F/OSS, the social codes that guide its production, and the political struggles through which hackers question the scope and direction of copyright and patent law. In telling the story of the F/OSS movement, the book unfolds a broader narrative involving computing, the politics of access, and intellectual property. E. Gabriella Coleman tracks the ways in which hackers collaborate and examines passionate manifestos, hacker humor, free software project governance, and festive hacker conferences. Looking at the ways that hackers sustain their productive freedom, Coleman shows that these activists, driven by a commitment to their work, reformulate key ideals including free speech, transparency, and meritocracy, and refuse restrictive intellectual protections. Coleman demonstrates how hacking, so often marginalized or misunderstood, sheds light on the continuing relevance of liberalism in online collaboration.

From the rear cover

"Coleman knows, understands, and lives free culture. No one is more credible or more fascinating when describing the lives of the women and men whose mission is an open, free information age."--Cory Doctorow, author of Little Brother and coauthor of The Rapture of the Nerds

"Coleman's book is definitive--everything in it is lovingly detailed, exhaustively researched, fluently written, and packed with provocative insights. A monument of scholarship, it combines the best of anthropology with an unconventional and fresh approach to law, political theory, and ethics. From the conference-going world of software programmers to the humor and pleasures of code-fu, and from the phantasms of free speech to the passion and pathos of technical committees, Coleman is an extraordinary guide to the world of contemporary hacking."--Christopher Kelty, University of California, Los Angeles

"Coleman's book on free and open source software programmers and hackers is desperately needed and will be a significant, landmark contribution to our understanding of the current technologically mediated moment. Coleman mixes case studies with learned treatments of this community, changes in the legal environment, and other relevant dimensions."--Thomas M. Malaby, University of Wisconsin-Milwaukee

"This is a revelatory ethnographic look at the origins and evolution of the free and open source software subculture. Coleman provides entirely new insights into the humor, aesthetics, and social life of hackers, while exploring the philosophical implications of open source for ideas about personal freedom, labor, and markets. Coding Freedom is an essential study of the technological revolution of our times."--Joseph Masco, University of Chicago

Details

  • Title Coding Freedom: The Ethics and Aesthetics of Hacking
  • Author E. Gabriella Coleman
  • Binding Paperback
  • Edition [ Edition: first
  • Pages 272
  • Volumes 1
  • Language ENG
  • Publisher Princeton University Press
  • Date 2012
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index, Table of Contents
  • ISBN 9780691144610 / 0691144613
  • Weight 0.85 lbs (0.39 kg)
  • Dimensions 9.1 x 6.1 x 0.7 in (23.11 x 15.49 x 1.78 cm)
  • Themes
    • Aspects (Academic): Science/Technology Aspects
  • Library of Congress subjects Computer hackers, Intellectual freedom
  • Library of Congress Catalog Number 2012031422
  • Dewey Decimal Code 174.900

Media reviews

Citations

  • Choice, 07/01/2013, Page 0

About the author

E. Gabriella Coleman is the Wolfe Chair in Scientific and Technological Literacy in the Department of Art History and Communication Studies at McGill University.
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