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Proust: Philosophy of the Novel
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Proust: Philosophy of the Novel Hardcover - 1992 - 1st Edition

by Vincent Descombes


From the publisher

Through the voice of the narrator of Remembrance of Things Past, Proust observes of the painter Elstir that the paintings are bolder than the artist; Elstir the painter is bolder than Elstir the theorist. This book applies the same distinction Proust; the Proustian novel is bolder than Proust the theorist.

By this the author means that the novel is philosophically bolder, that it pursues further the task Proust identifies as the writer's work: to explain life, to elucidate what has been lived in obscurity and confusion. In this, the novelist and the philosopher share a common goal: to clarify the obscure in order to arrive at the truth. It follows that Proust's real philosophy of the novel is to be found not in the speculative passages of Remembrance, which merely echo the philosophical commonplaces of his time, but in the truly novelistic or narrative portions of his text.

In Against Sainte-Beuve, Proust sets forth his ideas about literature in the form of a critique of the method of Sainte-Beuve. Scholars who have studied Proust's notebooks describe the way in which this essay was taken over by bits of narrative originally intended as illustration supporting its theses. The philosophical portions of Remembrance were not added to the narrative as an afterthought, designed to bring out its meaning. What happened was the reverse: the novel was born of a desire to illustrate the propositions of the essay.

Why then should we not find the novel more philosophically advanced than the essay? Reversing the usual order followed by literary critics, the author interprets the novel as an elucidation, and not as a simple transposition, of the essay. The book is not only a general interpretation of Proust's novel and its construction; it includes detailed discussions of such topics as literature and philosophy, the nature of the literary genres, the poetics of the novel, the definition of art, modernity and postmodernity, and the sociology of literature.

From the rear cover

Through the voice of the narrator of Remebrance of Things Past, Proust observes of the painter Elstir that the paintings are bolder than the artist; Elstir the painter is bolder than Elstir the theorist. This book applies the same distinction to Proust; the Proustian novel is bolder than Proust the theorist. By this the author means that the novel is philosophically bolder, that it pursues further the task Proust identifies as the writer's work: to explain life; to elucidate what has been lived in obscurity and confusion. In this, the novelist and the philosopher share a common goal: to clarify the obscure in order to arrive at the truth. It follows that Proust's real philosophy of the novel is to be found not in the speculative passages of Remembrance, which merely echo the philosophical commonplaces of his time, but in the truly novelistic or narrative portions of his text. In Against Sainte-Beuve, Proust sets forth his ideas about literature in the form of a critique of the method of Sainte-Beuve. Scholars who have studied Proust's notebooks describe the way in which this essay was taken over by bits of narrative originally intended as illustrations supporting its theses. The philosophical portions of Remembrance were not added to the narrative as an afterthought, designed to bring out its meaning. What happened was the reverse: the novel was born of a desire to illustrate the propositions of the essay. Why then should we not find the novel more philosophically advanced than the essay? Reversing the usual order followed by literary critics, the author interprets the novel as an elucidation, and not as a simple transposition, of the essay. The book is not only a general interpretationof Proust's novel and its construction; it includes detailed discussions of such topics as literature and philosophy, the nature of literary genres, the poetics of the novel, the definition of art, modernity and postmodernity, and the sociology of literature.

Details

  • Title Proust: Philosophy of the Novel
  • Author Vincent Descombes
  • Binding Hardcover
  • Edition number 1st
  • Edition 1
  • Pages 328
  • Volumes 1
  • Language ENG
  • Publisher Stanford University Press, Stanford
  • Date 1992-08-01
  • Illustrated Yes
  • Features Illustrated
  • ISBN 9780804720007 / 0804720002
  • Weight 1.23 lbs (0.56 kg)
  • Dimensions 8.9 x 5.7 x 0.93 in (22.61 x 14.48 x 2.36 cm)
  • Themes
    • Chronological Period: Modern
    • Cultural Region: French
  • Library of Congress subjects Philosophy in literature, Proust, Marcel
  • Library of Congress Catalog Number 91042653
  • Dewey Decimal Code 843.912

About the author

Vincent Descombes is Professor of French at Emory University. He is the author of, most recently, Philosophie par gros temps.
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Proust: Philosophy of the Novel

Proust: Philosophy of the Novel

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Hardback. New. This text argues that Proust the novelist is bolder than Proust the theorist. By this the author means that the novel is philosophically bolder, that it pursues further the task Proust identifies as the writer's work: to explain life, to elucidate what has been lived in obscurity and confusion.
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Proust – Philosophy of the Novel
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Proust – Philosophy of the Novel

by Descombes, Vincent/ Macksey, Catherine Chance (Translator)

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Proust: Philosophy of the Novel

by Descombes, Vincent

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Proust: Philosophy of the Novel
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Proust: Philosophy of the Novel

by Descombes, Vincent

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9780804720007 / 0804720002
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