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Victims and Villains in Vasari's Lives
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Victims and Villains in Vasari's Lives Hardcover - 2008 - 1st Edition

by Andrew Ladis


From the publisher

Includes bibliographical references (p. [151]-153) and index.

Details

  • Title Victims and Villains in Vasari's Lives
  • Author Andrew Ladis
  • Binding Hardcover
  • Edition number 1st
  • Edition 1
  • Pages 188
  • Volumes 1
  • Language ENG
  • Publisher University of North Carolina Press, North Carolina
  • Date 2008-03
  • Illustrated Yes
  • ISBN 9780807831328 / 0807831328
  • Weight 0.95 lbs (0.43 kg)
  • Dimensions 9.25 x 6.13 x 0.71 in (23.50 x 15.57 x 1.80 cm)
  • Library of Congress subjects Artists - Italy, Vasari, Giorgio
  • Library of Congress Catalog Number 2007033023
  • Dewey Decimal Code 709.224
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Victims & Villains in Vasari's Lives
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Victims & Villains in Vasari's Lives

by Andrew Ladis

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Victims and Villains in Vasari's Lives

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University of North Carolina Press, 2008. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
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Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History)
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Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History)

by Ladis, Andrew

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Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History)
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Victims and Villains in Vasari's Lives (Bettie Allison Rand Lectures in Art History)

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Victims and Villains in Vasari's Lives by Andrew Ladis

Victims and Villains in Vasari's Lives by Andrew Ladis

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ISBN: 9780807831328
UNC Press Books | 30 March 2008
Hardback | 159 pages
This title reconsiders a seminal art history text. Giorgio Vasari's ""The Lives of the Artists"" (1550, 1568) has been a key subject of study for students of the Italian Renaissance over the hundreds of years since its publication. It has maintained a powerful grip on the historical imagination and continues to influence the way scholars treat the Renaissance, its artists, and the entire intellectual enterprise of Western art. Focusing on Vasari's literary and narrative achievements, Andrew Ladis turns to Vasari's villains, rather than his heroes, to demonstrate the biographer's foremost interest in glorifying Michelangelo.Approaching Lives on Vasari's terms - as the grand story of the rebirth and triumph of art in Italy - Ladis argues that Vasari was not a mere compiler of facts, but a shrewd, self-confident author aware of the power of metaphor. With a literary reading of the text, Ladis analyzes Vasari's motives and methods as… Read More
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