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Neo-Noir: The New Film Noir Style from Psycho to Collateral
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Neo-Noir: The New Film Noir Style from Psycho to Collateral Paperback - 2005

by Ronald Schwartz


From the publisher

Film scholar Ronald Schwartz examines the most significant representatives of the "Neo-Noir" style, beginning with Alfred Hitchcock's Psycho and concluding with Michael Mann's Collateral (2004). Schwartz provides in-depth analyses of over 30 of the best "Neo-Noir" films and explains the qualities and characteristics of the "new noir" style. He also explains how it differs from "Film Noir" of the forties and fifties. In this chronological guide, Schwartz examines such landmark films as The Manchurian Candidate (1962), The French Connection (1971), Taxi Driver (1976), Reservoir Dogs (1992), L.A. Confidential (1997), and Memento (2000). The book also includes an alphabetical filmography listing over 650 films that in plot, style, or subject matter reflect the diversity of the genre. This reference work will be a valuable resource for film scholars and fans who wish to explore the ever-evolving aspects of "Neo-Noir" cinema.

Details

  • Title Neo-Noir: The New Film Noir Style from Psycho to Collateral
  • Author Ronald Schwartz
  • Binding Paperback
  • Pages 176
  • Volumes 1
  • Language ENG
  • Publisher Scarecrow Press
  • Date 2005-08-04
  • Features Bibliography, Index, Table of Contents
  • ISBN 9780810856769 / 081085676X
  • Weight 0.62 lbs (0.28 kg)
  • Dimensions 8.98 x 6.74 x 0.43 in (22.81 x 17.12 x 1.09 cm)
  • Library of Congress subjects Film noir - United States - History and
  • Library of Congress Catalog Number 2005007671
  • Dewey Decimal Code 791.436

Media reviews

Citations

  • Choice, 02/01/2006, Page 1023

About the author

Ronald Schwartz is a retired professor of Romance languages and film (City University of New York). He is the author of several books including Nomads, Exiles, & Emigres: The Rebirth of Latin American Narrative, 1960-1980 (Scarecrow, 1980), Spanish Film Directors: 21 Profiles (Scarecrow, 1986), Latin American Films, 1932-1994 (2005) and Great Spanish Films Since 1950 (2008).
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Neo-Noir : The New Film Noir Style from Psycho to Collateral
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Neo-Noir : The New Film Noir Style from Psycho to Collateral

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Neo-Noir: The New Film Noir Style from Psycho to Collateral
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Neo-Noir: The New Film Noir Style from Psycho to Collateral

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Neo-Noir: The New Film Noir Style from Psycho to Collateral
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Neo-Noir: The New Film Noir Style from Psycho to Collateral

by Ronald Schwartz

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Neo-Noir: The New Film Noir Style from Psycho to Collateral
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Neo-Noir: The New Film Noir Style from Psycho to Collateral

by Schwartz, Ronald

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Neo-Noir: The New Film Noir Style from Psycho to Collateral
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Neo-Noir: The New Film Noir Style from Psycho to Collateral

by Ronald Schwartz

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New. According to many critics, the era of "Film Noir" ended with the 1958 release of Orson Welles' classic Touch of Evil. The style was not dead, but rather had been transformed, and two years later, Alfred Hitchcock ushered in a new era of "Noir" films with the release of his 1960 masterpiece, Psycho. Film scholar Ronald Schwartz examines the most significant representatives of this cinematic style, beginning with Hitchcock's shocker and concluding with Michael Mann's Collateral (2004). Schwartz provides in-depth analyses of over thirty of the best "Neo-Noir" films and explains the qualities and characteristics of the "new noir" style. He also explains how it differs from "Film Noir" of the forties and fifties. As this study reveals, the new style significantly impacted American film after 1960. In this chronological guide, Schwartz examines such landmark films as The Manchurian Candidate (1962),… Read More
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Neo-noir: The New Film Noir Style
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Neo-noir: The New Film Noir Style

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Neo-Noir: The New Film Noir Style from Psycho to Collateral
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Neo-Noir: The New Film Noir Style from Psycho to Collateral

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NeoNoir: The New Film Noir Style from Psycho to Collateral
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NeoNoir: The New Film Noir Style from Psycho to Collateral

by Schwartz, Ronald

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