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Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy
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Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy Paperback - 1996

by Annemarie Bean (Editor); James V. Hatch (Editor); Brooks McNamara (Editor)


From the publisher

A sourcebook of contemporary and historical commentary on America's first popular mass entertainment.

As the blackface minstrel show evolved from its beginnings in the American Revolution to its peak during the late 1800s, its frenetic dances, low-brow humor, and lively music provided more than mere entertainment. Indeed, these imitations and parodies shaped society's perceptions of African Americans-and of women-as well as made their mark on national identity, policymaking decisions, and other entertainment forms such as vaudeville, burlesque, the revue, and, eventually, film, radio, and television. Gathered here are rare primary materials-including firsthand accounts of minstrel shows, minstrelsy guides, jokes, sketches, and sheet music-and the best of contemporary scholarship on minstrelsy.

From the rear cover

The blackface minstrel show occupies a central and contested space in the history of American popular culture. Its imitations and parodies helped shape society's perceptions of African Americans--and of women--and made their mark on national identity, policymaking decisions, and other entertainment forms such as vaudeville, burlesque, the revue, and, eventually, film, radio, and television. Gathered here are rare primary materials-- including firsthand accounts of minstrel shows, minstrelsy guides, jokes, sketches, and sheet music--and the best of contemporary scholarship.

Details

  • Title Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy
  • Author Annemarie Bean (Editor); James V. Hatch (Editor); Brooks McNamara (Editor)
  • Binding Paperback
  • Edition First Edition
  • Pages 324
  • Volumes 1
  • Language ENG
  • Publisher Wesleyan University Press, Middletown, Connecticut
  • Date 1996-10
  • ISBN 9780819563002 / 0819563005
  • Weight 1.2 lbs (0.54 kg)
  • Dimensions 9.03 x 6.06 x 0.88 in (22.94 x 15.39 x 2.24 cm)
  • Library of Congress subjects Minstrel shows - United States - History -
  • Library of Congress Catalog Number 96016572
  • Dewey Decimal Code 791.120

About the author

ANNEMARIE BEAN is former Managing Editor of The Drama Review. JAMES V. HATCH is Professor of English and Theatre at CUNY and author of Sorrow Is the Only Faithful One (1993). BROOKS McNAMARA is Professor of Performance Studies at NYU and Director of the Schubert Archive. MEL WATKINS is the author of On the Real Side (1994).
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by Bean, Annemarie [Editor]; Hatch, James V. [Editor]; McNamara, Brooks [Editor]; Watkins, Mel [Contributor];

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Wesleyan University Press. Very Good. 6.06 x 0.88 x 9.03 inches. Paperback. 1996. 324 pages. <br>A sourcebook of contemporary and historical commen tary on America's first popular mass entertainment. As the black face minstrel show evolved from its beginnings in the American Re volution to its peak during the late 1800s, its frenetic dances, low-brow humor, and lively music provided more than mere entertai nment. ... .
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Inside the Minstrel Mask : Readings in Nineteenth-Century Blackface Minstrelsy
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Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy
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by Annemarie Bean (Editor), James V. Hatch (Editor), Brooks McNamara (Editor), Mel Watkins (Contributor)

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