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Tonality 1900-1950: Concept and Practice
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Tonality 1900-1950: Concept and Practice Hardcover - 2012

by Philip Rupprecht (Editor); Ullrich Scheideler (Editor); Felix Worner (Editor)


From the publisher

Tonality - or the feeling of key in music - achieved crisp theoretical definition in the early 20th century, even as the musical avant-garde pronounced it obsolete. The notion of a general collapse or loss of tonality, ca. 1910, remains influential within music historiography, and yet the textbook narrative sits uneasily with a continued flourishing of tonal music throughout the past century. Tonality, from an early 21st-century perspective, never did fade from cultural attention; but it remains a prismatic formation, defined as much by ideological-cultural valences as by its role in technical understandings of musical practice. Tonality 1900-1950: Concept and Practice brings together new essays by 15 leading American and European scholars.

Details

  • Title Tonality 1900-1950: Concept and Practice
  • Author Philip Rupprecht (Editor); Ullrich Scheideler (Editor); Felix Worner (Editor)
  • Binding Hardcover
  • Pages 276
  • Volumes 1
  • Language ENG
  • Publisher Franz Steiner Verlag Wiesbaden GmbH
  • Date 2012-08
  • ISBN 9783515101608 / 3515101608
  • Weight 1.32 lbs (0.60 kg)
  • Dimensions 9.6 x 7 x 0.9 in (24.38 x 17.78 x 2.29 cm)
  • Themes
    • Aspects (Academic): Historical
    • Chronological Period: 20th Century
  • Dewey Decimal Code 781.22

About the author

Felix Worner is a research associate and Lecturer in the Music Department of the University of Basel and serves as co-editor of the Zeitschrift der Gesellschaft fur Musiktheorie. Ullrich Scheideler is Head of Music Theory at Humboldt-University in Berlin and a former editor of the Arnold Schoenberg Critical Edition. Philip Rupprecht is Professor of Music at Duke University. He is the author of British Musical Modernism: the Manchester Group and their Contemporaries and editor of Rethinking Britten.