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Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public
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Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public Hardcover - 2005

by Peter Parshall; Rainer Schoch


From the publisher

The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture This highly anticipated and beautifully illustrated book examines the evolution of early printmaking in late medieval Europe. Through their means of production and the evidence of their utility, prints are explored in a broad social and economic context. Key topics include the complex problem of reconstructing the beginnings of the European woodcut; the practice of copying and dissemination of models endemic to the medium; and the varied functions of the print from the spiritual to the secular.


A team of expert authors examines the many ways in which fifteenth-century woodcuts and metalcuts reflect the nature of piety and visual experience. Replicated images helped to structure private religious practice, transmit beliefs, disseminate knowledge about material facts, and graph abstract ideas. Mass-produced pictures made it feasible for people of all stations to possess them, thereby initiating a change in the role of images that eventually helped alter the definition of art itself.


The Origins of European Printmaking is an essential book for art historians, students, and collectors, as well as the general reader with an interest in medieval history and culture.

Published in association with the National Gallery of Art, Washington


Exhibition Schedule:

Germanisches Nationalmuseum, Nuremberg (December 14, 2005 - March 19, 2006)

National Gallery of Art, Washington (September 4 - November 27, 2005)

Details

  • Title Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public
  • Author Peter Parshall; Rainer Schoch
  • Binding Hardcover
  • Edition First Edition
  • Pages 376
  • Volumes 1
  • Language ENG
  • Publisher Yale University Press, London
  • Date September 15, 2005
  • Illustrated Yes
  • ISBN 9780300113396 / 0300113390
  • Weight 5.1 lbs (2.31 kg)
  • Dimensions 12.56 x 9.8 x 1.71 in (31.90 x 24.89 x 4.34 cm)
  • Themes
    • Chronological Period: 15th Century
    • Chronological Period: Medieval (500-1453) Studies
  • Library of Congress subjects Wood-engraving, European - 15th century, Art and society - Europe - History - 15th
  • Dewey Decimal Code 769.940

Media reviews

Citations

  • Choice, 02/01/2006, Page 1006
  • Library Journal, 12/01/2005, Page 127

About the author

Peter Parshall is curator and head of the department of Old Master prints at the National Gallery of Art, Washington. Rainer Schoch is vice director and head of the graphic arts collection at the Germanisches Nationalmuseum, Nuremberg

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Origins of European Printmaking : Fifteenth-Century Woodcuts and Their Public
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Origins of European Printmaking : Fifteenth-Century Woodcuts and Their Public

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Origins of European Printmaking : Fifteenth-Century Woodcuts and Their Public
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Origins of European Printmaking : Fifteenth-Century Woodcuts and Their Public

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Origins of European Printmaking : Fifteenth-Century Woodcuts and Their Public

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Origins of European Printmaking : Fifteenth-Century Woodcuts and Their Public

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ORIGINS OF EUROPEAN PRINTMAKING - FIFTEENTH CENTURY WOODCUTS AND THEIR PUBLIC

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Washington D.C.: National Gallery of Art, 2005. first edition. Hardcover. Near fine/near fine. 10 x 13 in. 371 pp. Red cloth boards. Lavish color plates. Condition is FINE ; like new on all points. Text spotless. DJ is NEAR FINE ; very clean, minimal edge wear. Extra shipping may apply. Art. RGR.
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Origins Of European Printmaking: Fifteenth-Century Woodcuts And Their Public

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Washington: National Gallery of Art / Yale University Press, 2005. Hardcover. New/Sealed; shelf-wear to lower cover edges/corner where publisher's wrap is worn.. blood orange cloth boards. 371 pgs w/ color & bw illustrations. tan pictorial dustjacket. "In this illustrated book, an international team of scholars examines and reinterprets more than one hundred distinctive works, challenging long-standing assumptions about the beginnings of printmaking and exploring the very origins of a transformation in media that has had a profound impact on Western culture." "Central aspects of this study are the complex problem of reconstructing the beginnings of the European woodcut and defining its earliest characteristics, the practice of copying and disseminating models endemic to the medium, and the varied functions of the print from the spiritual to the secular. As the authors reveal, mass-produced pictures made it possible for people of all situations to possess them, thereby initiating a change in the role… Read More
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Published by The National Gallery Of Art, Washington, Yale University Press, 2005. 1st USA edition.. Hardback. Very Good/Very Good. Slightly better than very good condition in a nearly fine dustwrapper. Large format. Dark orange cloth with black title to spine. For the exhibition held in Washington September 4th - November 27th 2005 and in Nuremberg December 14th 2005 - March 19th 2006. Colour & b/w illustrations. Some light browning to outer page edges.
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