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The Studio
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The Studio Paperback - 1998

by John Gregory Dunne

Based on his unlimited access to the inner workings of Twentieth Century Fox, Dunne's classic work of Hollywood reportage may still be the most minutely detailed and uproariously funny work of its kind. At once an unblinking critique and unstinting celebration, "The Studio" captures every nuance of the picture business's showmanship, savvy, vulgarity, and hype.


From the publisher

In 1967, John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox. Miraculously, he got it. For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio. He tracked every step of the creation of pictures like "Dr. Dolittle," "Planet of the Apes," and "The Boston Strangler." The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business. Whether he is recounting a showdown between Fox's studio head and two suave shark-like agents, watching a producer's girlfriend steal a silver plate from a restaurant, or shielding his eyes against the glare of a Hollywood premiere where the guests include a chimp in a white tie and tails, Dunne captures his subject in all its showmanship, savvy, vulgarity, and hype. Not since F. Scott Fitzgerald and Nathanael West has anyone done Hollywood better. "Reads as racily as a novel...(Dunne) has a novelist's ear for speech and eye for revealing detail...Anyone who has tiptoed along those corridors of power is bound to say that Dunne's impressionism rings true."--Los Angeles Times

From the jacket flap

In 1967, John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox. Miraculously, he got it. For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio. He tracked every step of the creation of pictures like "Dr. Dolittle," "Planet of the Apes," and "The Boston Strangler." The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business.
Whether he is recounting a showdown between Fox's studio head and two suave shark-like agents, watching a producer's girlfriend steal a silver plate from a restaurant, or shielding his eyes against the glare of a Hollywood premiere where the guests include a chimp in a white tie and tails, Dunne captures his subject in all its showmanship, savvy, vulgarity, and hype. Not since F. Scott Fitzgerald and Nathanael West has anyone done Hollywood better. "Reads as racily as a novel...(Dunne) has a novelist's ear for speech and eye for revealing detail...Anyone who has tiptoed along those corridors of power is bound to say that Dunne's impressionism rings true."--Los Angeles Times

Details

  • Title The Studio
  • Author John Gregory Dunne
  • Binding Paperback
  • Edition Reprint
  • Pages 272
  • Volumes 1
  • Language ENG
  • Publisher Vintage, Sydney, Australia
  • Date 1998-04-14
  • ISBN 9780375700088 / 0375700080
  • Weight 0.51 lbs (0.23 kg)
  • Dimensions 8.04 x 5.31 x 0.59 in (20.42 x 13.49 x 1.50 cm)
  • Library of Congress subjects Motion picture industry - United States, Twentieth Century-Fox Film Corporation
  • Library of Congress Catalog Number 97036329
  • Dewey Decimal Code 384.806

Media reviews

Citations

  • New York Times, 06/21/1998, Page 32

About the author

John Gregory Dunne wrote six novels--Vegas; True Confessions; Dutch Shea, Jr.; The Red White and Blue; Playland; and Nothing Lost--and seven works of nonfiction, among which are the memoir-like Harp and two books that look at Hollywood, The Studio and Monster. Born in West Hartford, Connecticut, in 1932, he graduated from Princeton in 1954. He collaborated with his wife, the writer Joan Didion, on many screenplays, including Panic in Needle Park and True Confessions. John Gregory Dunne died in December 2003.
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