Description:
Gerald Duckworth & Co Ltd, 1998. 9780715626221. 1st edn. 8vo. Original gilt lettered black cloth (Fine), dustwrapper (very slightly chipped at top corner of upper cover - otherwise near Fine in protective cover). Pp. 210 (publisher's neat pencil inscription on front endpaper).
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- Title The Comedy of Menander
- Author Netta Zagagi
- Binding Hardcover
- Publisher Duckworth
- Date 1998
- ISBN 9780715626221
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THE COMEDY OF MENANDER Convention Variation & Originality
by ZAGAGI Netta
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The comedy of Menander : convention, variation, & originality / Netta Zagagi
by Zagagi, Netta
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London : Duckworth, 1994. First Edition. Hardcover. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 210 pages ; 24 cm. Notes: Includes bibliographical references (pages 195-203)-and indexes. Subjects: Menander of Athens Criticism and interpretation. Menander 342-292 B.C. Criticism and interpretation. Menander of Athens. Samia. Greek drama (Comedy) History and criticism. Comédie grecque Histoire et critique.Greek drama (Comedy)Komödie. Komedies. Grieks. Literatura grega (historia e critica)Biografias de literatos.Komödie. Greek drama (Comedy) History and criticism. Drama Greek New Comedy. Greek drama
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The Comedy of Menander: Convention, Variation and Originality
by Zagagi, Netta
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- Hardcover
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- Used - Near Fine in Near Fine dust jacket
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- First Edition; First Printing
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London: Gerald Duckworth. Near Fine in Near Fine dust jacket. 1994. First Edition; First Printing. Hardcover. 0715626221 . 9.1 X 6.6 X 1.1 inches; 210 pages .
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The Comedy of Menander. Convention, Variation and Originality.
by ZAGAGI, Netta,
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Aalten, Netherlands
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Duckworth, London, 1994. 1st ed. 210p. Cloth wrps. Nice copy. 'The great strength of Zagagi's book is its accurate summary of current scholarly opinion on Menander and New Comedy. Its six chapters (...) cover all the bases. They provide cogent and reliable introductions to such complex issues as the formations and exploitation of stage and plot conventions, echoes of tragedy and the adaptation of tragic devices, and the realtionship between the dramatic fictions and social realities of fourth-century Athens. The author is also restrained and intelligent in her use of Roman material to supplement a picture (rightly) based on Menander's original texts. Her scholarly apparatus (...) is helpful, and the bibliography is full and up to date.' (SANDER M. GOLDBERG in The Classical Outlook, 1995, p.143).
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