[A perfect copy, still with the original protective tissue paper for the binding] Le Avventure d'Alice nel Paese delle Meraviglie. [...] Tradotte dall'inglese da T. Pietrocòla-Rossetti. Con 42 vignette di Giovanni Tenniel by Carroll Lewis, pseudonimo di Dodgson Charles Lutwidge (Daresbury, 1832 – Guildford, 1898) - 1872

NY: Blue Ribbon Books, 1933. First edition. Fine. Hardcover/Near fine. Glazed pictorial boards printed in color. Pictorial endpapers in color. Four fabulous and detailed double-page pop-up scenes, plus full and partial page black & white illustrations throughout. The boards are ever so lightly soiled else this is a fine copy with fine pop-ups. The scarce dustwrapper is present; it lightly browned with age else near fine. A nice copy of an early Disney work.

New York: Frederick A. Stokes [Harrap], 1923. First American Edition 1st Printing. Cloth / Paper Covered Boards. Very Good + Book/Good Dustjacket. 12 1/4" Tall. Color Plates and Calligraphic Text. U. S. edition published by Stokes; one of 200 copies, 1750 copies were printed of the UK first edition published by Harrap, this is the simultaneous US printing by Stokes, one of 250 copies, with Stokes imprint on spine panel of DJ and book and on title page, "Printed in Great Britain" printed on inside of DJ. Complete with all 48 color plates and all text, title, and contents pages, all plates and text mounted on gray paper as issued. Cloth and boards are immaculate, gilt on spine still brilliant, no fraying to cloth but paper covering tips and bottom edges of boards has frayed due to weight of book. Hinges tight but title page professionally re-attached. DJ is clean but worn along top and bottom edges with loss at top of spine and adjacent top edge of panels for a length of 4 3/8", up… Read More

LONDON: WARNE, 1902. 1st Edition 5th Printing. Hardcover. Fine. AUTHOR. The First 2 years of the LONDON Publication of "The TALE of PETER RABBIT" have reference books about the various Printings/evolution of changes. I'm fascinated by it myself. Now, excluding the impossible First Private Printings in Late 1901 & Early 1902 from the realm of possibility for we mere mortals, the First few Original Warne Trade Printings are one of my joys to study - and even more to Find! Most collector's know that the First few Warne Printings (late 1902 - mid 1903) were done with patterned leaf end papers and had 97 pages with all illustrations in Color (Private Printings were B&W). The distinction between the printings was the Board Color. The last of these 4 printings changed "wept" to "shed". NOTE: NONE of These Printings had a COPYRIGHT DATE (on the rear of the Title Page)! Now, here is where it gets interesting!! All References deal with the Change in Format in Late 1903 from 97 pages… Read More

New York: George Routledge & Sons, 1871. First American "copyright" edition. Small octavo 6 15/16 x 4 7/8 inches; 175 x 125 mm). viii, 378, [2, blank] pp. Seventy-six wood-engraved text illustrations after Arthur Hughes. This edition pre-dates that recorded by Sadleir as the first American edition and is almost certainly one of a few copies printed in England at the same time as the first English edition and sent over to the United States to secure American copyrights. The title-page has been re-set to include the American imprint and date, along with the list of other titles by MacDonald, but without mention of the illustrations, as in Sadleir's first American edition. The pagination matches that of Sadleir's American edition (undated, though he cites a presentation copy inscribed 1873), with the initial blank here wrongly bound in at the end. Original publisher's variant burgundy pebble-grained cloth. Front cover and spine lettered and stamped in black and gilt according to the primary stamping… Read More

J. M. Dent and Co.. London. 1909. FIRST RACKHAM EDITION. 4to. (11.5 x 8.8 inches). LIMITED EDITION, SIGNED BY RACKHAM. One of only 750 numbered copies. Beautifully illustrated with 13 mounted colour plates, the frontis with a tissue guard, two full page black and white plates, and 31 line drawings as chapter headings and tail pieces. Publishers white cloth with gilt lettering and illustration to front board. Spine lettered in gilt. Two sets of rose coloured silk ties, still present. Top edge gilt, the others untrimmed. Decorative endpapers, printed on vellum style paper with a blue tint, with gold ink. Red silk book marker. A very small bump to the top outer corner of the front board otherwise a fine and bright copy. Uncommon in such nice condition. --- This deluxe edition includes one extra colour plate, an image of the Yahoos, that wasn't included in the regular trade edition. --- Riall. Bibliography of Arthur Rackham. Page 91 (incorrectly listing fewer line illustrations and the wrong title of the… Read More

NY: Blue Ribbon Books, 1933. First edition. Fine. Hardcover/Near fine. Glazed pictorial boards printed in color. Pictorial endpapers in color. Four fabulous and detailed double-page pop-up scenes, plus full and partial page black & white illustrations throughout. The boards are ever so lightly soiled else this is a fine copy with fine pop-ups. The scarce dustwrapper is present; it lightly browned with age else near fine. A nice copy of an early Disney work.

New York: Frederick A. Stokes [Harrap], 1923. First American Edition 1st Printing. Cloth / Paper Covered Boards. Very Good + Book/Good Dustjacket. 12 1/4" Tall. Color Plates and Calligraphic Text. U. S. edition published by Stokes; one of 200 copies, 1750 copies were printed of the UK first edition published by Harrap, this is the simultaneous US printing by Stokes, one of 250 copies, with Stokes imprint on spine panel of DJ and book and on title page, "Printed in Great Britain" printed on inside of DJ. Complete with all 48 color plates and all text, title, and contents pages, all plates and text mounted on gray paper as issued. Cloth and boards are immaculate, gilt on spine still brilliant, no fraying to cloth but paper covering tips and bottom edges of boards has frayed due to weight of book. Hinges tight but title page professionally re-attached. DJ is clean but worn along top and bottom edges with loss at top of spine and adjacent top edge of panels for a length of 4 3/8", up… Read More

LONDON: WARNE, 1902. 1st Edition 5th Printing. Hardcover. Fine. AUTHOR. The First 2 years of the LONDON Publication of "The TALE of PETER RABBIT" have reference books about the various Printings/evolution of changes. I'm fascinated by it myself. Now, excluding the impossible First Private Printings in Late 1901 & Early 1902 from the realm of possibility for we mere mortals, the First few Original Warne Trade Printings are one of my joys to study - and even more to Find! Most collector's know that the First few Warne Printings (late 1902 - mid 1903) were done with patterned leaf end papers and had 97 pages with all illustrations in Color (Private Printings were B&W). The distinction between the printings was the Board Color. The last of these 4 printings changed "wept" to "shed". NOTE: NONE of These Printings had a COPYRIGHT DATE (on the rear of the Title Page)! Now, here is where it gets interesting!! All References deal with the Change in Format in Late 1903 from 97 pages… Read More

New York: George Routledge & Sons, 1871. First American "copyright" edition. Small octavo 6 15/16 x 4 7/8 inches; 175 x 125 mm). viii, 378, [2, blank] pp. Seventy-six wood-engraved text illustrations after Arthur Hughes. This edition pre-dates that recorded by Sadleir as the first American edition and is almost certainly one of a few copies printed in England at the same time as the first English edition and sent over to the United States to secure American copyrights. The title-page has been re-set to include the American imprint and date, along with the list of other titles by MacDonald, but without mention of the illustrations, as in Sadleir's first American edition. The pagination matches that of Sadleir's American edition (undated, though he cites a presentation copy inscribed 1873), with the initial blank here wrongly bound in at the end. Original publisher's variant burgundy pebble-grained cloth. Front cover and spine lettered and stamped in black and gilt according to the primary stamping… Read More

J. M. Dent and Co.. London. 1909. FIRST RACKHAM EDITION. 4to. (11.5 x 8.8 inches). LIMITED EDITION, SIGNED BY RACKHAM. One of only 750 numbered copies. Beautifully illustrated with 13 mounted colour plates, the frontis with a tissue guard, two full page black and white plates, and 31 line drawings as chapter headings and tail pieces. Publishers white cloth with gilt lettering and illustration to front board. Spine lettered in gilt. Two sets of rose coloured silk ties, still present. Top edge gilt, the others untrimmed. Decorative endpapers, printed on vellum style paper with a blue tint, with gold ink. Red silk book marker. A very small bump to the top outer corner of the front board otherwise a fine and bright copy. Uncommon in such nice condition. --- This deluxe edition includes one extra colour plate, an image of the Yahoos, that wasn't included in the regular trade edition. --- Riall. Bibliography of Arthur Rackham. Page 91 (incorrectly listing fewer line illustrations and the wrong title of the… Read More