Nineteen Eighty-Four: The Facsimile of the Extant Manuscript by Orwell, George - 1984

Hollywood, California: Paramount Studios, 1933. Photograph (publicity still) showing Mae West with Cary Grant in "She Done Him Wrong"--the film in which she uttered the famous line. "Why don't you come up sometime and see me?" SIGNED boldly "Mae West" in the less flamboyant style that was typical of her signature in the later 1970s. The bright and unfaded signature is guaranteed to be original and authentic. The photograph is in excellent condition; mounted on matboard.. SIGNED. First Edition. Paper. Collectible- Fine. 7 1/2" X 9". Photo.

London: Unpublished, 1887. Kate Greenaway's autograph on laid paper, apparently clipped from a larger piece of stationery. Written at her home in Hampstead in the famous illustrator's hand in black ink: "Kate Greenaway, 17 September 1887, 50 Frognal, Hampstead, London--N.W." There is barely a hint of fading to the signature, and the paper is clean and unwrinkled.. SIGNED. First Edition. Paper. Fine. 2" X 4". Manuscript.

Boston, Massachusetts: Unpublished, 1957. Postcard dated Nov. 6, 1957 and addressed to Fraser Neiman in Williamsburg, Virginia. The text of the postcard reads: "Dear Mr. Neiman: We'll arrive probably by plane from Washington sometime Thursday morning. I think we should leave the next day; I have a sick cousin in Washington that I am anxious to see as much of as I can. I thought I'd read two poems, 'Beyond the Alps,' and 'Skunk Hour!' (Don't be alarmed by the second title) They are both about 45 lines long and should along with my comment take about twenty minutes. My wife and I very much look forward to the our visit. Yours sincerely," followed by a full signature ("Robert Lowell") in blue ink. Fraser Neiman taught English at the College of William and Mary and was responsible for finding speakers/readers for special occasions. The postcard is lightly toned, otherwise in very good condition.. SIGNED. First Edition. Paper. Very Good. 3 1/4"… Read More

New York: Unpublished, 1964. Postcard dated May 25, 1964, with a return address of 15 West 67 St. N.Y.C., and addressed to Fraser Neiman in Williamsburg, Virginia. The text of the postcard reads: "Dear Mr. Neiman: My visit in 1957 was very pleasant, and I like to think back on it and the friends I met. Fall next year is bad for me because I have a quite strenuous program of teaching at Harvard and commuting from here. I've made a rule to [sic] to read during this period. I'm afraid I can't, but I am touched that you should want me not once but twice. Yours sincerely," followed by a full signature ("Robert Lowell") in red ink. Fraser Neiman taught English at the College of William and Mary and was responsible for finding speakers/readers for special occasions. The postcard is lightly toned, otherwise in very good condition.. SIGNED. First Edition. Paper. Very Good. 3 1/4" X 5 1/2". Manuscript.

New York: The Armchair Detective, 1991. Signed by Richard Condon on the colophon. Limited Edition / First Printing. Number 87 0f 100 copies. Maroon cloth in a Maroon cloth slipcase Very fine in a very fine slipcase. With a new introduction by Richard Condon. Basis for the 1962 John Frankenheimer film, starring Frank Sinatra, Laurence Harvey, Janet Leigh, and Angela Lansbury.

Boston: Roberts Brothers, 1881. Decorated green cloth with marbled endpapers. An odd-shaped piece cut out of front free endpaper, hinges cracked, spine headers heavily rubbed, light general wear: VG/no dj. 12mo. Mason #310: 1st American edition, later impression(?) with top edges gilt instead of yellow and decorated endpapers. Binding decoration is sunflowers printed in black rather than cherub imbibing seen on some copies. Mason does not establish priority.

First UK edition. John Camden Hotten. London. 1868. Small octavo. xii, 403pp. Half title, Frontispiece portrait. Title. Later full blue calf, spine in six compartments with raised bands, leather labels, gilt rules and lettering. Lightly toned. Spine slightly darkened. Signature of Raisley Moorsom in pencil to ffep.
The first edition of Whitman published in the UK, the only time Whitman (reluctantly) allowed his writings and his portrait photograph to be censored.

The second edition with additions. Longman, Hurst, Rees, and Orme. London. [1805] G. Woodfall, Printer, Paternoster Row to verso of half title. Octavo. Half title, Title, xv, 300, (21), (bl.), (1), (1)pp. 6 folding engraved plates. Later half calf, marbled boards, spine in six compartments, leather label, gilt lettering, rules and embellishment. Minor corner chips to half-title. Short closed fold tear to Plate I. Toned with some light offsetting of plates, foxing/browning to index.
This edition has an additional plate to the 1790 edition, plus additional material. The plates are each dated September 1, 1805. Significant to the library of the vine. A handsome volume.
William Speechly (1723 – 1819), gardener to the Duke of Portland at Welbeck Abbey, Nottinghamshire. ODNB.

[Andoversford, Gloucestershire]: Whittington Press, 1984. Edition limited to 350 copies signed by Craig (this, no. 274), 8vo, pp. [12], x, [54]; title page printed in red and black, 50 wood engravings, one folding plate; pictorial endpapers; original full linen boards, spine and front cover paper labels, fine. Contact card for the press laid in.

Chicago: Reilly & Lee, 1926. Book. Illus. by Neill, John R. Fine. Hardcover. 1st Edition. First edition, first state with 12 full color plates coated on one side. Color pastedown on book cover. Pictorial endpapers illustrated in black and white. Two pages of advertisements at rear of book. Dustjacket is later state with "Ojo in Oz" listed as last title on rear flap of dustjacket. Dustjacket has been expertly repaired to near fine condition. Book is protected in a custom cut clear mylar cover. All books are carefully wrapped and shipped in a box..