The Story of Picture Printing in England During the XIXth [Nineteenth] Century, or Forty Years of Wood and Stone by Lewis, C. T. Courtney - 1930

Sampson Low, Marston & Co. Ltd., 1928-01-01. Hardcover. Good. . Ex-library copy with usual markings. Cover and edges shows shelf wear. Few pages shows light foxing. 1 preface page is loose.

London: Sampson Low Marston. VG- EX LIB (see notes) NO INTERNATIONAL. 1910 (no date). hardcover. hardcover. large 8vo . 405pp . EX LIB. 4 pages of frontmatter loose and re-tipped, call laetters on spine, library bookplate. Good solid copy otherwise. No date, but would appear to be the earlier edition, not the 1928 printing. Maroon cloth, bevelled edges. .

Sampson Low, Martson & Co. Acceptable. unknown publishing date; burgundy cloth covered boards with gilt titles; covers are soiled; sticker on rear cover; beveled edges; front and rear hinges are split; half title page is detached; Previous owner's name on rear endpaper; Interior clean and unmarked' illustrated; 4to - over 9 3/4" - 12" Tall; 405 pages; Additional shipping charges may be required for International and Expedited orders

London: Sampson Low, Marston & Co, 1928. 1st Edition . Hardcover. Very Good +/No Jacket. Xxxv, 405 Pp. 61 Plates, The Majority Of Which In Color. Red Cloth, Gilt, Beveled Boards. No Date, But 1928. Definitive Study And Essential Reference Work. Light Wear To Boards, Gilt Brilliant; Endpapers A Little Browned, But No Foxing Pages Or To Edges Of Page Block; Ink Inscription On Front Free Endpaper Has Been Neatly Erased, With Some Traces Remaining; Rear Hinge Partly Cracked But Entire Book Remains Quite Sturdily Bound.

Sampson Low, Marston & Co., Ltd.. Collectible - Acceptable. Collectible - Acceptable. No Dust Jacket No date stated, ca. 1928. Limited edition. Copy #871/1000. Writing inside. Rear hinge cracked. (Color Prints, Collecting) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

London: Sampson Low, Marston & Co. Ltd., 1928. Book. Very Good. Original Cloth. 1st Edition. 4to - over 9¾" - 12" tall. Original dark red cloth, bevelled edges, lettered on spine panel in gilt, top text block edge in gilt. Modest surface rubbing, with dye lightening along lower front panel wrapping onto lower spine (possible moisture contact, though no internal evidence), spine panel mildly sunned. Firm, square binding. Text block edges moderately foxed. xxxv,405 pp., illus. w/ 61 plates, some color, several folding. Vertical crease to front flyleaf. Scattered internal foxing, light to moderate, mostly confined to text leaves (as opposed to the plates, which are generally clean, a few slightly toned). Vibrant plates, a quality production. Scarce..

London: Sampson Low, Marston & Company. VG. N.D.. Hardcover. Hardback in Very Good condition without dust jacket. . 4to 11" - 13" tall. 405 pages. Ex-Library with usual library stamps and markings. Solid binding. . * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided * .

London: Sampson Row, Marston & Co. LTD, 1928. First edition. Hardcover. Very Good. 25 x 19 cm. Red cloth. xxxvi, 405 pages and 61 plates, many in color. Sun fading to spine.

Sampson Low, Marston and Co., Ltd. [1928]. First Edition, 4to, coloured frontis., 60 plates (some coloured), orig. buckram, t.e.g. a nice copy. An excellent account of the colour printers of the nineteenth century and processes, containing much information not to be found elsewhere.

London: Sampson Low, Marston & Co, 1928. cloth, top edge gilt. tall 8vo. cloth, top edge gilt. xxxvi, 405 pages and 61 plates. First edition. The definitive study of the subject with chapters devoted to Baxter, Charles Knight, Vizetelly, Leighton Brothers, Edmund Evans, Benjamin Fawcett and others. Recased. Ex-library, with card catalogue on rear pastedown still present under the new endpapers. Original covers stained. The recasing made this an incredibly solid book.

NY: Pierpont Morgan Library. Good; Liftoff on rear cover, stain on front cover, splits starting at heel . and foot of spine, fore-edges stained.. 1976. Softcover. 114 plates. Preface by Charles Ryskamp. Includes an essay on the Memories of Collecting by John M. Crawford, Jr. ; Folio 13" - 23" tall; 140 pages .

Rare catalog edition of the Fifth Annual Circuit Exhibition of the National Association of Portrait Painters, Inc. 1915-1916. New York: American Fine Arts Society, 1915. "November 6 to 28, 1915 at the galleries of the American Fine Arts Society, 215 West Fifty-seventh Street, New York". Published by Knoedler and Company Exhibition Catalogs, New York City. Listing portrait painters of 1915-1916, 61 pages, complete with plates of the 39 painters including Sargent. A very good+/fine copy of a rare edition of art catalog.

5956Ruskin The King of the Golden River, A Legend of Stiria. Publisher: Roycrofters, East Aurora, NY, 1900. RARE. Original copyright 1841. BOUND IN SUEDE LEATHER. Used . Good- condition./ None Issued. A couple of top edges show bite-size area of loss. Does not effect text. Frontispiece black and white portrait of John Ruskin. Decorated title page and decorated initial letters by Samuel Warner. Colophon reads, printed in red, as follows: SO HERE ENDETH THE KING OF THE GOLDEN RIVER, AS / WRITTEN BY JOHN RUSKIN: THE TITLE PAGE AND INITIALS / BEING DESIGNED BY SAMUEL WARNER, AND THE WHOLE / DONE INTO A BOOK BY THE ROYCROFTERS, AT THEIR SHOP, / IN EAST AURORA, NEW YORK, U.S.A., IN THE YEAR MCM. Roycroft logo with Elbert Hubbard printed in. handwritten gift inscription and signature on front free endpaper dates this item to the year 1900. Leather is in clean condition.

NY: A. Schram, 1974. Signed first edition. Hard cover in dust jacket. Published NY: Abner Schram, 1974, first printing. 8vo., 234pp., illustrated with b/w photos. Signed on fly leaf by both authors: "With every good wish - Leona Rostenberg. Madeline B. Stern". Some dust foxing along top edge, else very good in very good dust jacket with a few short, closed tears along top edge. 2005 and 2007 NY Times obituary clippings of the authors laid in. . 1st. Hard. Very Good/Very Good. 8vo.

Davis, CA: Library Associates, University of California. Near Fine; Small nick at lower left corner of front cover.. 1979. Softcover. Edited and with an introduction Kirshenbaum. Exhibition catalogue for show held Feb. 22 - April 10, 1979 at the Memorial Union Art Gallery, University of California at Davis. 8.5 x 11 inches. Black and white photographs of the work of five fine printers from northern California: Jack Stauffacher, Adrian Wilson, Richard Bigus, Andrew Hoyem, and William Everson. Contains statements from the artists. Laid in is promotional postcard for the exhibition, publisher press release for the catalogue, and several other promotional materials and lists of publications by Library Associates. ; Oblong 8vo 8" to 9" tall; 47 pages .

London: Macmillan and Co., Limited, 1924. First Edition. hardcover. Good. 9 3/8" × 6 1/8" × 1" (23.8 × 15.6 × 2.5 cm) . First Printing. Printed by R. & R. Clark, Limited, Edinburgh. Tall 8vo. Bound in publisher's original hardcover quarter Holland-backed blue paper boards, with white linen spine and paper title label. Uncut, deckled edges. [ix], [1], 176, [4] pp. Photogravure frontispiece portrait of Morris engraved by Emery Walker from a photograph by Sparling, with tissue guard present. Includes 16 plates and examples of types and illustrations from the Kelmscott Press. Henry Halliday Sparling (1860–1924) provides an informative history of William Morris's Press. Sparling was a former Kelmscott Press employee and as the husband of Morris's daughter, May Morris, from 1890–1898, was keenly familiar with Morris and his Press. Sparling provides a clear account of the day-to-day workings of the Press, as well as a close examination of Morris's intentions and printing achievements. Includes… Read More

Austin: Texas Writers Project, 2000. Original . Broadside. FINE. 24 x 36 inches, printed on high quality coated stock with metalic ink. Shipped- rolled in heavy tube. This fabulous poster was created especially for the featured author of Texas Writers Month in 2000 held in Austin, Texas by graphic designer Marc English. It is printed on heavy high quality coated stock in metalic inks: silver and bronze and laid over a duotone photograph of the rugged Big Bend country of West Texas. The poster quotes a long scene from McCarthy's BLOOD MERIDIAN with drops of bronze red blood for emphasis. This is a stunning visual and carries the impact of the original text depicting a scene of horror as the savages line up on horseback along the ridge their glass beads and painted bodies caught forever in the sun's hot glare as they anticipate the massacre that would follow. Only McCarthy could make this scene so vivid you might have to put the book down and never finish it.

Stated first printing.
Book cover like new, very slight shelf wear - pages clean, bright and unmarked – spine solid and undamaged.
Jacket like new.
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Comprehensive interviews with twelve recognized artists from the U.S. and Japan including Syl Labrot, Nathan Lyons, Ralph Gibson, Larry Clark, Keith Smith, Joan Lyons, Eikoh Hosoe, Bea Nettles, Duane Michals, Robert Adams, and Scott Hyde.

Pt. Reyes CA & Kathmandu, Eidolon Editions, 1976, center-stapled trade paperback (10" x 7.25"), 16 pp. printed on one side only, First Edition, First Printing, limited to 550 copies, Very Good condition in illustrated wraps. Straight, tight and clean, light foxing to covers and text block edge, tiny nicks to top corner of front cover. Printed on handmade paper this small collection continues Di Prima's exploration of Loba, the she-wolf, as mythic mother of the world. Monochrome illustrations by Josie Grant.

London: Edward Arnold, 1978. Book. Fine. Hardcover. First Printing of the First Edition. Fine, in jacket with a miniscule touch of wear at spine top..