Search Results: Landscape Photography

Telluride, CO Western Eye Press, 1988. Paperback First Ed, unstated. First Ed, unstated. Near Fine in Wraps: shows only the most minute indications of use: binding shows the slightest spine lean, but remains perfectly secure; text clean. Just a hint of wear to extremities; mildest rubbing; faint crease near the outside edge of the front panel appears to be a minor production flaw; else flawless. Close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Slightly Oblong 4to. 96pp. Paperback: Pictorial Wraps. Profusely illustrated in beautiful color photographs. Photography by Linde Waidhofer. A visual feast, a collector's album of the most beautiful wildflowers in the Rockies, photographed with patience, passion, and a supremely sensitive eye, and reproduced with fanatical attention to quality. Each flower is identified by its common name, but a detailed key at the end of the book gives more information.

Banff, Alberta: Altitude Publishing, 1993. 112 pages, chiefly illustrations, portraits; 23 cm. Tight, clean copy.. 3rd. Paperback. Fine. 8vo.

Boston: Little, Brown and Company, 1996. x, 339 pages, [8] pages of plates, illustrations, portraits; 24 cm. Tight, clean copy. Light edgewear to wraps, age toning. Another copy available. Ansel Adams (1902-1984), the Californian photographer famous for his black-and-white photographs of Yosemite and the Western landscape, was an official photographer for the Sierra Club and a co-founder (with Edward Weston and Imogen Cunningham) of f/64, a group of photographers who advocated purist "straight" photography from life, producing flawless prints with little or no manipulation in the darkroom. He opened the Ansel Adams Gallery in San Francisco in 1933, became a famous teacher, and published several books on the technical aspects of photography.. Paperback. Very Good. 8vo.

Boston, MA Little, Brown & Company , 1979. Hardcover First Edition USA (1979), so stated. Published in the previous year in London by Jonathan Cape. First Edition USA (1979), so stated. Very Good+ to Near Fine in Very Good DJ: The Book shows indications of very careful use: some tanning discoloration to the outsided edges of the free endpapers; the text pages are slightly cocked within the square binding, which remains perfectly secure; the text is clean. Free of underlining, hi-lighting, notations, or marginalia. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome very nearly-new copy, structurally sound and tightly bound, showing only very minor, unobtrusive flaws. Close to 'As New'. The DJ shows light wear to extremities, with a short, closed tear at the top of the front hinge; mild overall rubbing to the panels; a couple of creases to the inside front flap; the price has not been… Read More

Salt Lake City: Gibbs M. Smith, Inc.; Peregrine Smith Books, 1986. Cloth, 69 pages, colour illustrations; 30 cm. Firm binding, clean inside copy. Fine DJ. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates.. Hardcover. Fine/Fine. 4to.

Grand Rapids, MI: William B. Eerdmans Publishing Company, 2000. Cloth, 86 pages, illustrations. 30 cm. Firm binding, clean inside copy. Fine DJ. OVERSIZE! No priority/air, except by special arrangement. Black-and-white landscape photography, chiefly locations in the U.S. This is Lubbers' second book of photographs.. 1st. Hardcover. Fine/Fine. 4to.

Moose, WY: Homestead Publishing, 1989. xviii, 110 pages, chiefly illustrations; 22 x 26 cm. Firm binding, clean inside copy.. Paperback. Fine. Oblong.

Munich, Germany Deutscher Kunstverlag, 1951. Hardcover Good+ in Good DJ: Book shows indications of moderate use: binding shows considerable lean; but remains quite secure; just a hint of wear to the extremities. DJ shows significant wear to extremities; with several small chips and a number of short, closed tears; shows mild rubbing and faint, but pervasive soiling; unclipped. Overall, remains a clean, sturdy, tightly-bound copy with a clean text in a somewhat tatty DJ. NOT a Remainder, Book-Club, or Ex-Library. 4to. 35 pages of Explanatory Text, Aufgenommen vom Archiv Foto Marburg with 62 full-page photographic plates in black & white. The text pages have tanned heavily, but the plates are presented on high-quality slick paper. Map. Hardback with DJ.

Munich, Germany Deutscher Kunstverlag, 1953. Paperback Signed by a Previous Owner at the front end paper: Renowned Classics Professor Hermann Frankel. Good+ in Good+ DJ: Book shows indications of moderate use: binding shows slight lean; but remains quite secure; light wear to the upper extremities, somewhat heavier along the bottom edge. DJ shows significant wear to extremities; with several small chips and a number of short, closed tears amd beginning to split at the bottom of the front hinge; shows mild rubbing and faint, but pervasive soiling; at the rear panel unclipped. Overall, remains a clean, sturdy, tightly-bound copy with a clean text in a somewhat tatty DJ. NOT a Remainder, Book-Club, or Ex-Library. 4to. 29pp of Explanatory Text with 64 full-page photographic plates in black & white. Map. The text pages have tanned heavily, but the plates are presented on high-quality slick paper. Paperback: Heavy Cardstock Wraps with Pictorial DJ.

New York, NY Harry N. Abrams, 2002. Hardcover First Edition [2002]; First Printing indicated. SIGNED BY AUTHOR on half-title page. First Edition [2002]; First Printing indicated. Near Fine in Near Fine DJ: Both book and DJ show only minute indications of use. Only apparent flaw is that the binding shows a little lean, common in books of this shape, while remaining perfectly secure; text clean. DJ hows only the mildest rubbing; price unclipped. Overall, very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 4to. 100+ pages, color photo on almost every page. Hardback with DJ. A sequel to The Seasons Observed, Evelyn Lauder's first book of photographs, this new book presents a dazzling new selection of full-color images made by the author during her travels throughout the world. From brilliant sunsets over the Pacific, to intimate close-ups of flowers, faces and abstract patterns formed by light on water or ice, Lauder demonstrates a remarkable ability to capture the… Read More

Washington D.C.: Smithsonian Institution Press, 1989. 166 pages, illustrations; 28 cm. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/air, except by special arrangement.. 1st. Paperback. Very Good. 4to. Collectible.

Englewood, CO: Westcliff Publishers, 1996. Cloth, 192 pages, colour illustrations; 28 cm. Near fine. Firm binding, clean inside copy. Age toning. Fine DJ. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates.. 1st.. Hardcover. Very Good/Fine. 4to. Collectible.

San Francisco: Sierra Club Books; A Yolly Bolly Press Book, 1984. Cloth, xiii, 162 pages, illustrations (some colour); 35 cm. Firm binding, clean inside copy. Lower right corners lightly bumped. A little moisture rippling/top edge, near the back. Stated First Edition. Dust jacket with light edgewear. OVERSIZE! No priority/air, except by special arrangement. Lush photographs of the California landscape.. 1st. Hardcover. Very Good/Very Good. Folio.

Boston: Little, Brown and Company, 1996. x, 339 pages, [8] pages of plates, illustrations, portraits; 24 cm. Reprint, 1997. Firm binding, clean inside copy. Ansel Adams (1902-1984), the Californian photographer famous for his black-and-white photographs of Yosemite and the Western landscape, was an official photographer for the Sierra Club and a co-founder (with Edward Weston and Imogen Cunningham) of f/64, a group of photographers who advocated purist "straight" photography from life, producing flawless prints with little or no manipulation in the darkroom. He opened the Ansel Adams Gallery in San Francisco in 1933, became a famous teacher, and published several books on the technical aspects of photography.. Paperback. Fine. 8vo.

New York: E. P. Dutton & Co., Inc., 1972. Cloth, 247 pages, colour illustrations, maps; 29 cm. Firm binding, clean inside copy. Corners mildly bumped. Age toning. Dust jacket with light edgewear. OVERSIZE! No priority/air, except by special arrangement. Photographs by Eliot Porter.. Hardcover. Very Good/Very Good. 4to.

New York: E. P. Dutton & Co., Inc., 1972. Cloth, 247 pages, colour illustrations, maps; 29 cm. Firm binding, clean inside copy. Age toning, top edge lightly soiled. Stated First Edition. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement.. 1st. Hardcover. Very Good/Fine. 4to. Collectible.

Washington D.C.: Published by the Smithsonian Institution Traveling Exhibition Service with the cooperation of the United States Geological Survey, 1981. 118 pages, illustrations; 28 cm. Prepared in conjunction with an exhibition presented by the Smithsonian Institution Traveling Exhibition Service. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. OVERSIZE! No priority/international, except by special arrangement. Photography of the American West, 19th century.. 1st. Paperback. Very Good. 4to. ..

Boston, Toronto, London: Little, Brown and Company; A Bullfinch Press Book, 1989. Cloth, 1 volume (unpaged), colour illustrations; 27 x 30 cm. Near fine. Firm binding, clean inside copy. Age toning. Stated First Edition. Fine DJ. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "This is a pictorial odyssey across rural America. Spanning forgotten dirt farm trails in New Hampshire, oyster shell drives in Florida, and humpbacked ribbons of pavement rolling over California hills, these photographs reveal the beauty of America." - Publisher.. 1st. Hardcover. Very Good/Fine. Oblong. Collectible.

New York: MetroBooks, 2002. Cloth, 128 pages, illustrations; 31 cm. Firm binding, clean inside copy. Fine DJ. OVERSIZE! No priority/international, except by special arrangement.. Hardcover. Fine/Fine. 4to.

Santa Fe, NM: Museum of New Mexico Press, 1998. xviii, 126 pages, illustrations (some colour); 22 cm. Near fine. Firm binding, clean inside copy. Age toning. Includes: T. H. O'Sullivan, Adam Clark Vroman, Ansel Adams, Laura Gilpin, Eliot Porter, Russell Lee, Edward Weston, and Paul Strand. "The American Southwest has shaped the lives and work of many artists and literary figures over the last century--Georgia O'Keeffe, D. H. Lawrence, N. Scott Momaday, to name a few--individuals unquestionably drawn to the unrivaled landscape, moved to express its beauty through the written word or through their art, and forever altered by the experience. The survey of photographers and photography in the Southwest between 1870 and 1970 begins with Timothy O'Sullivan and other late nineteenth-century expedition photographers and ends with the color landscape photography of Eliot Porter. In between are Laura Gilpin's portraits of Navajos taken during the 1930s and the documentary images of rural… Read More