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Vision and Art, The Biology of Seeing

Vision and Art, The Biology of Seeing

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Vision and Art, The Biology of Seeing

by Margaret Livingstone, with a foreword by David Hubel

  • Used
  • Very Good
  • Paperback
  • first
Condition
Very Good
ISBN 10
0810995549
ISBN 13
9780810995543
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This seller has earned a 5 of 5 Stars rating from Biblio customers.
Hythe, Kent, United Kingdom
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About This Item

New York: Abrams, 2002. First Edition, Later Printing. . Paperback. Very Good. First edition, later printing. Paperback. 28 × 23cm, 208pp. We recognize the artistry of Mona Lisa's elusive smile, but is there an underlying science? In this groundbreaking study, Harvard neurobiologist Margaret Livingstone explains how vision works. She tells us how great painters fool the brain: why Mona Lisa's smile seems so mysterious, Monet's Poppy Field appears to sway in the breeze, Mondrian's Broadway Boogie Woogie blinks like the lights of Times Square, and Warhol's Electric Chair pulses with current. Drawing on history and her own cutting-edge discoveries, Livingstone offers intriguing insights, from explanations of common optical illusions to speculations on the correlation of learning disabilities with artistic skill. Her lucid, accessible theories are illustrated throughout with fine art and clear diagrams. Condition: The book is in very good condition, with some light wear to the covers' edges.

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Details

Bookseller
Cox and Budge Books GB (GB)
Bookseller's Inventory #
012364
Title
Vision and Art, The Biology of Seeing
Author
Margaret Livingstone, with a foreword by David Hubel
Format/Binding
Paperback
Book Condition
Used - Very Good
Quantity Available
1
Edition
First Edition, Later Printing.
ISBN 10
0810995549
ISBN 13
9780810995543
Publisher
Abrams
Place of Publication
New York
Date Published
2002

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Cox and Budge Books

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About the Seller

Cox and Budge Books

Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Biblio member since 2016
Hythe, Kent

About Cox and Budge Books

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First Edition
In book collecting, the first edition is the earliest published form of a book. A book may have more than one first edition in...
Fine
A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
Edges
The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...

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