BIG GAME HUNTING IN THE ROCKIES AND ON THE GREAT PLAINS: Comprising "Hunting Trips of a Ranchman" and "The Wilderness Hunter" by Roosevelt, Theodore - 1899.

New York: Vincent FitzGerald & Company, 1991. One of 25 copies, text on Apta Royale Laid Richard de Bas paper (made in 1938), images on Musee paper, backed on custom-made papers by Paul Wong on Dieu Donne' Papermill. Page size: 16 inches x 16 inches. Bound by Zahra Partovi in Coptic-style mauve-grey silk over boards, box by David Bourbeau, Thistle Bindery, fine. Six original line etchings by Susan Weil are hand-painted in watercolor and gouache with gold-leafing throughout, each mounted on museum board. These images surround the 40-page text when sitting in the box and when lifted out become three-dimensional paintings. There are also two original collages in the text and on the boards of the cover which is printed in three colors. The calligraphy is by Jerry Kelly and the letterpress is by Dan Keleher at Wild Carrot Letterpress. Susan Weil's third Joyce book takes an excerpt from FINNEGAN'S WAKE and it is as much as tour de force as her previous two. The box itself is a piece of sculpture, and… Read More

Stamford: The New Overbrook Press, 1984. This copy in a unique binding by Jack & Emma Craib: full black morocco with mother-of-pearl onlays forming design of characters from the play climbing out of the cylinder tube in which Beckett has set the play. The design reveals itself as a pictorial image only with the use of an anamorphoscope which is a 6 inch silver tube sitting on top of one of the marble onlays. Limited to 250 copies on Rives, each copy signed by Samuel Beckett. Each of the seven etchings is hand-numbered and signed by the artist, Charles Klabunde. Charles Klabunde, master engraver, was born in Nebraska where he spent the first two formative decades of his life. He received his MFA at the University of Iowa where his unusual talents were discovered by master print-maker Mauricio Lazansky who invited Klabunde to join his Print Workshop. Following his one-man exhibition at The Minneapolis Institute of Art, the artist moved to New York where he established his own printmaking studio and… Read More

Paris: Lefuel, 1825. First Edition, eight volumes each with one engraving PRINTED IN COLOR, heightened by hand, original white wrappers printed with color lithographs housed in original double-compartment box with lithograph printed in color on cover (lid), gold foil which is stamped bordering edge of box, original pink and blue ribbon pulls. Page size: 6 x 4". The eight volumes are titled: The Little Milkmaid, The Little Schoolgirl, The Little Flower Seller, The Little Harvester, The Little Savoyard, The Little Shepherd, The Little Boatman, and The Little Firewood Gatherer (5 girls and 3 boys). Each volume has an engraving printed in color of a child dressed in the manner suiting the occupation in the title. The neo-classic colored bordered lithographs on the covers of each title have elements of the occupation included, such as flowers in La Petite Marchande des Fleurs and fish, seashells, and seaweed in The Little Boatman. The text of this charming children's set is titled Simple Stories, and they… Read More

Np: Girard Bank, 1970. Hardcover. Very good/No dust jacket. Np: Girard Bank, 1970. Signed by both the author and the artist. Nine color reproductions of paintings by James B. Wyeth. 85 pp. Hardcover. 8vo size. Green paper covered boards. Contrasting paper illustration laid onto front board. Head, heel and corners mildly bumped. Small, minor stain on bottom page edges. Spine minimally shaken, text block tight. Else quite good. Clean, tight and bright. Housed in matching cardboard slipcase. Very good/. (Insurance required to ship this item). (Oversized - extra shipping charges apply)

London: William Clowes and Sons, 1876. First edition, slim 12mo, pp. 59; a number of illustrations in the text, 1 full-page; original pictorial terracotta cloth stamped in gilt on upper cover; spine darkened, and with slight wear at the tips; early owner's signature on half-title; all else near fine. Casada 48: "A programme designed for infantry training with a number of exercises being described in detailed illustrations." Penzer, p. 93: "Very rare."

New York: Vincent FitzGerald & Company, 1991. One of 25 copies, text on Apta Royale Laid Richard de Bas paper (made in 1938), images on Musee paper, backed on custom-made papers by Paul Wong on Dieu Donne' Papermill. Page size: 16 inches x 16 inches. Bound by Zahra Partovi in Coptic-style mauve-grey silk over boards, box by David Bourbeau, Thistle Bindery, fine. Six original line etchings by Susan Weil are hand-painted in watercolor and gouache with gold-leafing throughout, each mounted on museum board. These images surround the 40-page text when sitting in the box and when lifted out become three-dimensional paintings. There are also two original collages in the text and on the boards of the cover which is printed in three colors. The calligraphy is by Jerry Kelly and the letterpress is by Dan Keleher at Wild Carrot Letterpress. Susan Weil's third Joyce book takes an excerpt from FINNEGAN'S WAKE and it is as much as tour de force as her previous two. The box itself is a piece of sculpture, and… Read More

Stamford: The New Overbrook Press, 1984. This copy in a unique binding by Jack & Emma Craib: full black morocco with mother-of-pearl onlays forming design of characters from the play climbing out of the cylinder tube in which Beckett has set the play. The design reveals itself as a pictorial image only with the use of an anamorphoscope which is a 6 inch silver tube sitting on top of one of the marble onlays. Limited to 250 copies on Rives, each copy signed by Samuel Beckett. Each of the seven etchings is hand-numbered and signed by the artist, Charles Klabunde. Charles Klabunde, master engraver, was born in Nebraska where he spent the first two formative decades of his life. He received his MFA at the University of Iowa where his unusual talents were discovered by master print-maker Mauricio Lazansky who invited Klabunde to join his Print Workshop. Following his one-man exhibition at The Minneapolis Institute of Art, the artist moved to New York where he established his own printmaking studio and… Read More

Paris: Lefuel, 1825. First Edition, eight volumes each with one engraving PRINTED IN COLOR, heightened by hand, original white wrappers printed with color lithographs housed in original double-compartment box with lithograph printed in color on cover (lid), gold foil which is stamped bordering edge of box, original pink and blue ribbon pulls. Page size: 6 x 4". The eight volumes are titled: The Little Milkmaid, The Little Schoolgirl, The Little Flower Seller, The Little Harvester, The Little Savoyard, The Little Shepherd, The Little Boatman, and The Little Firewood Gatherer (5 girls and 3 boys). Each volume has an engraving printed in color of a child dressed in the manner suiting the occupation in the title. The neo-classic colored bordered lithographs on the covers of each title have elements of the occupation included, such as flowers in La Petite Marchande des Fleurs and fish, seashells, and seaweed in The Little Boatman. The text of this charming children's set is titled Simple Stories, and they… Read More

Philadelphia: Bradford and Inskeep; Abm. H. Inskeep, New York, J. Maxwell, Printer, 1814. First edition of the first authorized and complete account of the most important western expedition, and arguably the most important book in the field of Western Americana. 8vo, pp. xxviii, 470; ix, [1], 522; 5 engraved plans and charts, without the large folding map which was not issued in all copies; contemporary full calf neatly rebacked, text foxed, as usual; paper repair and portions of 8 lines of text in facsimile on leaf 2N8 in volume II; all else very good. Church 1309; Field 928; Graff 2477; Howes L-317; Printing and the Mind of Man, 272; Sabin 825; Streeter III, 177; Wagner-Camp 13.

London: William Clowes and Sons, 1876. First edition, slim 12mo, pp. 59; a number of illustrations in the text, 1 full-page; original pictorial terracotta cloth stamped in gilt on upper cover; spine darkened, and with slight wear at the tips; early owner's signature on half-title; all else near fine. Casada 48: "A programme designed for infantry training with a number of exercises being described in detailed illustrations." Penzer, p. 93: "Very rare."