TRAVESSERAS, SANILLES (CERDAÑA ESPAÑOLA), CATALUÑA. ALBUM DE 78 FOTOGRAFIAS, IGNACIO PONS by Ignacio Pons - 1888

Atlantic Beach, Florida:: Linda Broadfoot,, 2005.. Edition of 50. A combination of handset letterpress and computer generated work. Letterpress was used to print the text using metal type on a flat bed press on a Vandercook Universal III using Hahnemuhle Biblio and Copperplate papers at the Letterpress & Foundry of Michael and Winifred Bixler. Then digitally reproduced small Giclée prints of the artist's original 20 x 24" Polaroid image transfers were printed archivally on Crane's Museo paper using an Epson 4000 printer. A modern day Cabinet of Wonders. Broadfoot uses A. S. Byatt's "Things Are Not What They Seem" to accompany her images as "a numinous guide to viewing" these wonders of nature. The insects shown were selected from the Florida State Collection of Arthropods. Broadfoot: "In the spring of 2001, I began to borrow insect specimens from the Florida State Collection of Arthropods. Carefully transporting this delicate cargo to… Read More

Los Angeles: Art Center School, 1941. 1st Edition . Hardcover. Fine. Photographs. 35 Pages In Red Plastic Binder, 13" X 10 1/4" With White Plastic Comb Spine. The Book Consists Of 32 Pages Of Photographic Paper On Card, Each With A 10 1/4" X 8 3/8" High Quality Photographic Image At Top On Each Side, Documenting All Kinds Of Class Settings In The Studios And In Outside Locations, And 3 Pages Of The Same Paper Each With Four 4 3/4" Square Photographs Attached To The Pages On Each Side, Portraits Of The Teachers, For A Total Of 88 Photographs. There Is No Text Or Writing Of Any Kind Anywhere In The Book, But It Is Very Similar To A Set Of Pages In The Art Center School Of Design Archives In Pasadena, Punched For A Spiral Binding But Unbound, Having Four More Pages Than This Set, But Lacking Some Of The Photographs Present Here. Ansel Adams Is Shown Instructing Many Of The Classes, As Are Fred Archer, Clarence Bull, James H. Doolittle, Edward Kaminski, Paul Dorsey, C. K.… Read More

The price is £6000 [plus VAT at 20% if applicable]
ANNAN & Sons.
Clyde Navigation. Glasgow Harbour and Docks.
Glasgow, Annan & Sons, 1892-1898
8 platinum prints, 15.5 x 12.0 ins, mounted on original card 25 x 19 ins with printed titles on card, some foxing on images no.5 and 6, preserved in the original portfolio case with ties, rebacked in goatskin, internally lined with archival paper, upper cover lettered gilt Glasgow Harbour and Docks.
Historic archive of photographs in the maritime history of Glasgow – the development of the Clyde Navigation, Harbour and Docks recorded in eight original platinum prints by the famous Glasgow photographers Annan & Sons between 1892 and 1898 and preserved in their original portfolio case.
Glasgow was the second city of the Empire and by the end of the 19th century had become a major Atlantic seaport and the Clyde shipyards were building the most sophisticated and technologically innovative iron and steel ships in the world.
The photographer was John Annan… Read More

Berlin: im Deutschen Verlag,, 1937. SIGNED AND INSCRIBED BY AUTHOR at half-title page - " Arthur Kiekebusch su wiedersehen 1937 herrlich (?) Leni Riefenstahl". Arthur Kiekebusch was a German production manager and director, best known for the 1920 silent film "The Woman in the Dolphin" starring Bela Lugosi. He was the assistant production manager, with responsibility for all cameras and lenses, on Riefenstahl's film "Olympia" from which the photographs in this book were taken. He also worked with Leni on her 1935 film "Triumph of the Will" as unit manager and head cameraman. The First Edition book is Very Good Minus, boards bowed, cloth rubbed at corners and spine ends, prior owner name and US address front end page, hinges starting, lacking the dust jacket . Regardless, given their close working relationship, an important and historic association copy in German film making.. SIGNED AND INSCRIBED BY AUTHOR. First Edition. Cloth. Very Good Minus/No Jacket.… Read More

Album with 52 photographs – each ca 220 x 280 mm – on black cardboard mounts showing clocks, mantelpieces, wall appliques, lanterns, chandeliers, bronzes and candelstands cast by the atelier of Henri Vian in Paris. Each photograph with numbers and dimensions of objects in the negativ. A number of plates with pencilled annotations on back of mounts, with numbering and sometimes dimensions of objects. Cont. calf, with an all over decoration of floral elements. Spine on five raised bands. Covers framed by double gilt fillets. Foot of spine stamped H. Vian / Paris. Folio (460 x 370 mm). Slightly rubbed, extremeties worn. Henri Vian (1860-1905), a bronze-caster active in the second half of the 19th century, was specialized in the production of bronzes, light fittings, chandeliers, chimney mantelpieces, ormolu and patinated-mounted vases always of very fine quality. The business, located at 5 rue de Thorigny in Paris (the Salé Mansion, now the Picasso Museum), was continued by Madame Vian after her… Read More

Atlantic Beach, Florida:: Linda Broadfoot,, 2005.. Edition of 50. A combination of handset letterpress and computer generated work. Letterpress was used to print the text using metal type on a flat bed press on a Vandercook Universal III using Hahnemuhle Biblio and Copperplate papers at the Letterpress & Foundry of Michael and Winifred Bixler. Then digitally reproduced small Giclée prints of the artist's original 20 x 24" Polaroid image transfers were printed archivally on Crane's Museo paper using an Epson 4000 printer. A modern day Cabinet of Wonders. Broadfoot uses A. S. Byatt's "Things Are Not What They Seem" to accompany her images as "a numinous guide to viewing" these wonders of nature. The insects shown were selected from the Florida State Collection of Arthropods. Broadfoot: "In the spring of 2001, I began to borrow insect specimens from the Florida State Collection of Arthropods. Carefully transporting this delicate cargo to… Read More

Los Angeles: Art Center School, 1941. 1st Edition . Hardcover. Fine. Photographs. 35 Pages In Red Plastic Binder, 13" X 10 1/4" With White Plastic Comb Spine. The Book Consists Of 32 Pages Of Photographic Paper On Card, Each With A 10 1/4" X 8 3/8" High Quality Photographic Image At Top On Each Side, Documenting All Kinds Of Class Settings In The Studios And In Outside Locations, And 3 Pages Of The Same Paper Each With Four 4 3/4" Square Photographs Attached To The Pages On Each Side, Portraits Of The Teachers, For A Total Of 88 Photographs. There Is No Text Or Writing Of Any Kind Anywhere In The Book, But It Is Very Similar To A Set Of Pages In The Art Center School Of Design Archives In Pasadena, Punched For A Spiral Binding But Unbound, Having Four More Pages Than This Set, But Lacking Some Of The Photographs Present Here. Ansel Adams Is Shown Instructing Many Of The Classes, As Are Fred Archer, Clarence Bull, James H. Doolittle, Edward Kaminski, Paul Dorsey, C. K.… Read More

The price is £6000 [plus VAT at 20% if applicable]
ANNAN & Sons.
Clyde Navigation. Glasgow Harbour and Docks.
Glasgow, Annan & Sons, 1892-1898
8 platinum prints, 15.5 x 12.0 ins, mounted on original card 25 x 19 ins with printed titles on card, some foxing on images no.5 and 6, preserved in the original portfolio case with ties, rebacked in goatskin, internally lined with archival paper, upper cover lettered gilt Glasgow Harbour and Docks.
Historic archive of photographs in the maritime history of Glasgow – the development of the Clyde Navigation, Harbour and Docks recorded in eight original platinum prints by the famous Glasgow photographers Annan & Sons between 1892 and 1898 and preserved in their original portfolio case.
Glasgow was the second city of the Empire and by the end of the 19th century had become a major Atlantic seaport and the Clyde shipyards were building the most sophisticated and technologically innovative iron and steel ships in the world.
The photographer was John Annan… Read More

Berlin: im Deutschen Verlag,, 1937. SIGNED AND INSCRIBED BY AUTHOR at half-title page - " Arthur Kiekebusch su wiedersehen 1937 herrlich (?) Leni Riefenstahl". Arthur Kiekebusch was a German production manager and director, best known for the 1920 silent film "The Woman in the Dolphin" starring Bela Lugosi. He was the assistant production manager, with responsibility for all cameras and lenses, on Riefenstahl's film "Olympia" from which the photographs in this book were taken. He also worked with Leni on her 1935 film "Triumph of the Will" as unit manager and head cameraman. The First Edition book is Very Good Minus, boards bowed, cloth rubbed at corners and spine ends, prior owner name and US address front end page, hinges starting, lacking the dust jacket . Regardless, given their close working relationship, an important and historic association copy in German film making.. SIGNED AND INSCRIBED BY AUTHOR. First Edition. Cloth. Very Good Minus/No Jacket.… Read More

Album with 52 photographs – each ca 220 x 280 mm – on black cardboard mounts showing clocks, mantelpieces, wall appliques, lanterns, chandeliers, bronzes and candelstands cast by the atelier of Henri Vian in Paris. Each photograph with numbers and dimensions of objects in the negativ. A number of plates with pencilled annotations on back of mounts, with numbering and sometimes dimensions of objects. Cont. calf, with an all over decoration of floral elements. Spine on five raised bands. Covers framed by double gilt fillets. Foot of spine stamped H. Vian / Paris. Folio (460 x 370 mm). Slightly rubbed, extremeties worn. Henri Vian (1860-1905), a bronze-caster active in the second half of the 19th century, was specialized in the production of bronzes, light fittings, chandeliers, chimney mantelpieces, ormolu and patinated-mounted vases always of very fine quality. The business, located at 5 rue de Thorigny in Paris (the Salé Mansion, now the Picasso Museum), was continued by Madame Vian after her… Read More