MOONRAKER by Ian Fleming - 1955

New York: McBride, 1938. Hardcover. Fine/Near Fine. First edition. Minute bumps to the crown and foot else fine in a lovely, about near fine example of the scarce dustwrapper with a few rubbed spots and slight loss at the spinal extremities (affecting a couple of letters), and some very neat professional reinforcing at the folds. A lost classic of hardboiled fiction; when it came out it was compared to *The Postman Always Rings Twice* and *They Shoot Horses, Don't They?* An Oklahoma man comes home and finds his wife and child gone, perhaps to California, and he sets out after them. The only mystery novel written by Eric Knight, an excellent and very versatile writer (he also wrote *Lassie, Come Home*) who died in a plane crash during WWII. An uncommon book, and genuinely rare in jacket.

London: Jonathan Cape, 1961. First Edition. Near fine in dust jacket. Presentation copy; inscribed by the author, “To Jonathan Miller from the Author.” Fleming, an antiquarian book collector himself, was clearly very much aware of old conventions slipping away, and often adhered to this old custom of inscribing books from “the Author.” In the nineteenth-century, it is not uncommon to find the closest associations; to a wife, mother, child, friend, etc., presented in this manner. In our day, this would seem cold, peculiar, or incomplete, but it does have a certain old-fashioned charm that antiquarian books are supposedly cherished for.

London: Hodder & Stoughton. Very Good in Good dust jacket; Jacket soiled and lightly tattered, pages . toned.. 1966. First Edition. Hardcover. The prolific mystery author's second book, featuring an auto racing detective, Beau Pepys, that chronologically precedes the storyline in Hammond's first published novel, Fred in Situ. Stamp of literary agent Curtis Brown on front free endpaper and title page. Jacket art by Peter Calcott. ; 8vo 8" - 9" tall; 192 pages .

CT: Yale University Press, 1981. FINE condition in FINE dust jacket. HARDCOVER. 1981. FIRST EDITION. AS NEW, bound in orange cloth in orange-red pictorial dust jacket. Square and tight, UNREAD, jacket not price clipped. 'Focusing particularly on classic works by Wilkie Collins, Conan Doyle, Agatha Christie, Dashiell Hammett, Raymond Chandler, and Georges Simenon, Porter shows how the detective narrative achieves its artistic ends through the erotic management of suspense.'. First Edition. Hard Cover. Fine/Fine.

Five Star Waterville, Maine, 2006 HBDJ, August 2006, stated 1st edition, NF+/VG+, This book is very good +condition except for minor shelf wear.287 pgs,Alex Night moves out of the private eye business on Larchmont Boulevard in Hollywood and into the mystery writing profession at the WRITERS AND ARTISTS BUILDING in Beverly Hills, where he intends to follow in the footsteps of Dashiell Hammett and Raymond Chandler. But Night is persistently plagued by former clients who won't let him get past the title page of his potential Edgar Award mystery novel The Big Changeover. After too many false starts and near fatal distractions, Night finds himself on the treacherous trail of two missing objects. The first: an Imperial Fabergi Egg, The Tear of Russia, given by William Randolph Hearst over a half century ago to his mistress - --a Fabergi now valued at over ten million dollars. The second: his missing fianci, the beautiful Goldie Rose. It's soon evident that Goldie has been kidnapped, but by whom - and… Read More

William Morrow NY, 1939. HBDJ, 1939, 1st edition, date on title page & copyright page are same, DJ GLUED to book & has some wear , rub, tiny chips & light soil, Black cloth cover slight Lean, Interior light wear nice & Tight relatively Clean minor Fox, AS-IS, 315 pages, Priceclipped but original price Intact of $2. First Edition. Hard Cover.

Limited first edition; number 358 of 400 such copies. Fine unread book in Fine jacket. Full wrap-around dust jacket with art by Joe Servello; end paper designs also by Servello. Signed and numbered by Willeford on limitation page printed in red. This copy is housed in a custom made clamshell box.

London: Jonathan Cape, 1961. First Edition. Near fine in dust jacket. Presentation copy; inscribed by the author, “To Jonathan Miller from the Author.” Fleming, an antiquarian book collector himself, was clearly very much aware of old conventions slipping away, and often adhered to this old custom of inscribing books from “the Author.” In the nineteenth-century, it is not uncommon to find the closest associations; to a wife, mother, child, friend, etc., presented in this manner. In our day, this would seem cold, peculiar, or incomplete, but it does have a certain old-fashioned charm that antiquarian books are supposedly cherished for.

Toronto: The Coop-Clark Co., 1906. KID McGHIE- S. R. Crockett- Illustrated by E.F. Skinner- The Copp-Clark Co. Ltd.- Toronto- 1906-True-1st Edition-1st Printing-1st State- SC- Illustrated Softcover Wraps:- 12mo- VG/ no dj as issued-original grey wraps with green titles on cover and spine-illustration on cover also in green.- B&W frontis-+ 3 other plates- They are bound in to face pp.102, 192, and 322. -400pp all clean-no tears or writing- some cover rubs on spine,piece of tape at lower edge to prevent further separation which is about 3/4 of an inch- edges a little curled as to be expect with softcover, but a prime example of a very, very SCARCE copy in softcover-1st/1st-There are almost none that have survived-none available on the net!- Only 2 softcover true 1st ed's found in World cat: One in the UCLA rare books ibrary and and at the Univ. of Torotnto in the Fischer rare book room-SEE PHOTOS- Safe-cracking, burglary, etc. - with a ghost thrown in! There is no list of the plates, which are… Read More

Very Good book has the common age toning along the board edges, tiny dings to corners, slight soiling to page edges, with lower inch and and half of spine slightly concave inward; in Very Good to Near Fine dust jacket that has very slight yellowing front and back panels with mild rubbing, and slight edge and corner wear. This was a very fragile production. Willeford's fictionalized story of the Son of Sam killer and the Sheriff Deputy who caught him. This copy has been signed by Willeford on the front end page and inscribed: To Lou Maradie – I think you'll like this. Dr. Schwartz thinks Berko faked his psychosis. Dr. Abrahamsen does not. So it goes. You may have a different opinion. All the best. Dr. Louis J. Maradie practiced Clinical Psychology in Miami for 35 years. This book appeared four years prior to Miami Blues, the first Hoke Mosley mystery.